"One thing is certain," muttered a Puritan of the old stamp. "Drowne has sold himself to the devil; and doubtless this gay Captain Hunnewell is a party to the bargain."

“And I,” said a young man who overheard him, “would almost consent to be the third victim, for the liberty of saluting those lovely lips."

"And so would I," said Copley, the painter, " for the privilege of taking her picture."

The image, or the apparition, whichever it might be, still escorted by the bold captain, proceeded from Hanover street through some of the cross-lanes that make this portion of the town so intricate, to Ann street, thence into Dock-square, and so downward to Drowne's shop, which stood just on the water's edge. The crowd still followed, gathering volume as it rolled along. Never had a modern miracle occurred in such broad daylight, nor in the presence of such a multitude of witnesses. The airy image, as if conscious that she was the object of the murmurs and disturbance that swelled behind her, appeared slightly vexed and flustered, yet still in a manner consistent with the light vivacity and sportive mischief that were written in her countenance. She was observed to flutter her fan with such vehement rapidity, that the elaborate delicacy of its workmanship gave way, and it remained broken in her hand.

Arriving at Drowne's door, while the captain threw it open, the marvellous apparition paused an instant on the threshold, assuming the very attitude of the image, and casting over the crowd that glance of sunny coquetry which all remembered on the face of the oaken lady. She and her cavalier then disappeared.

"Ah!" murmured the crowd, drawing a deep breath, as with one vast pair of lungs.

"The world looks darker, now that she has vanished," said some of the young men.

But the aged, whose recollections dated as far back as witchtimes, shook their heads, and hinted that our forefathers would have thought it a pious deed to burn the daughter of the oak with fire.

"If she be other than a bubble of the elements," exclaimed Copley, "I must look upon her face again!"

He accordingly entered the shop; and there, in her usual corner, stood the image, gazing at him, as it might seem, with the very same expression of mirthful mischief that had been the farewell look of the apparition when, but a moment before, she turned her face towards the crowd. The carver stood beside his creation, mending the beautiful fan, which by some accident was broken in her hand. But there was no longer any motion in the life-like image, nor any real woman in the workshop, nor even the witchcraft of a sunny shadow, that might have deluded people's eyes as it flitted along the street. Captain Hunnewell, too, had vanished. His hoarse, sea-breezy tones, however, were audible on the other side of a door that opened upon the water.

"Sit down in the stern sheets, my lady," said the gallant captain. "Come, bear a hand, you lubbers, and set us on board in the turning of a minute-glass."

And then was heard the stroke of oars.

"Drowne," said Copley, with a smile of intelligence, "you have been a truly fortunate man. What painter or statuary ever had such a subject! No wonder that she inspired a genius into you, and first created the artist who afterwards created her image."

Drowne looked at him with a visage that bore the traces of tears, but from which the light of imagination and sensibility, so recently illuminating it, had departed. He was again the mechanical carver that he had been known to be all his lifetime.

"I hardly understand what you mean, Mr. Copley," said he, putting his hand to his brow. "This image! Can it have been

my work? Well-I have wrought it in a kind of dream; and now that I am broad awake, I must set about finishing yonder figure of Admiral Vernon."

And forthwith he employed himself on the stolid countenance of one of his wooden progeny, and completed it in his own mechanical style, from which he was never known afterwards to deviate. He followed his business industriously for many years, acquired a competence, and, in the latter part of his life, attained to a dignified station in the church, being remembered in records and traditions as Deacon Drowne, the carver. One of his pro

ductions, an Indian chief, gilded all over, stood during the better part of a century on the cupola of the Province House, bedazzling the eyes of those who looked upward, like an angel of the sun. Another work of the good deacon's hand- -a reduced likeness of friend Captain Hunnewell, holding a telescope and quadrant— may be seen, to this day, at the corner of Broad and State streets, serving in the useful capacity of sign to the shop of a nautical instrument maker. We know not how to account for the inferiority of this quaint old figure, as compared with the recorded excellence of the Oaken Lady, unless on the supposition, that in every human spirit there is imagination, sensibility, creative power, genius, which, according to circumstances, may either be developed in this world, or shrouded in a mask of dulness until another state of being. To our friend Drowne, there came a brief season of excitement, kindled by love. It rendered him a genius for that one occasion, but, quenched in disappointment, left him again the mechanical carver in wood, without the power even of appreciating the work that his own hands had wrought. Yet who can doubt, that the very highest state to which a human spirit can attain, in its loftiest aspirations, is its truest and most natural state, and that Drowne was more consistent with himself when he wrought the admirable figure of the mysterious lady, than when he perpetrated a whole progeny of blockheads?

There was a rumor in Boston, about this period, that a young Portuguese lady of rank, on some occasion of political or domestic disquietude, had fled from her home in Fayal, and put herself under the protection of Captain Hunnewell, on board of whose vessel, and at whose residence, she was sheltered until a change of affairs. This fair stranger must have been the original of Drowne's Wooden Image.

THE INTELLIGENCE OFFICE.

A GRAVE figure, with a pair of mysterious spectacles on his nose and a pen behind his ear, was seated at a desk, in the corner of a metropolitan office. The apartment was fitted up with a counter, and furnished with an oaken cabinet and a chair or two, in simple and business-like style. Around the walls were stuck advertisements of articles lost, or articles wanted, or articles to be disposed of; in one or another of which classes were comprehended nearly all the conveniences, or otherwise, that the imagination of man has contrived. The interior of the room was thrown into shadow, partly by the tall edifices that rose on the opposite side of the street, and partly by the immense show-bills of blue and crimson paper, that were expanded over each of the three windows. Undisturbed by the tramp of feet, the rattle of wheels, the hum of voices, the shout of the city-crier, the scream of the news-boys, and other tokens of the multitudinous life that surged along in front of the office, the figure at the desk pored diligently over a folio volume, of ledger-like size and aspect. He looked like the spirit of a record-the soul of his own great volume-made visible in mortal shape.

But scarcely an instant elapsed without the appearance at the door of some individual from the busy population whose vicinity was manifested by so much buzz, and clatter, and outcry. Now, it was a thriving mechanic, in quest of a tenement that should come within his moderate means of rent; now, a ruddy Irish