Shakespeare, from Stage to ScreenCambridge University Press, 12 aug 2004 How is a Shakespearean play transformed when it is directed for the screen? In this 2004 book, Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. She identifies distinct strategies chosen by film directors to appropriate the plays. Instead of providing just play-by-play or film-by-film analyses, the book addresses the main issues of theatre/film aesthetics, making such theories and concepts accessible before applying them to practical cases. Her book also offers guidelines for the study of sequences in Shakespearean adaptations and includes examples from all the major films from the 1899 King John, through the adaptations by Olivier, Welles and Branagh, to Taymor's 2000 Titus and beyond. This book is aimed at scholars, teachers and students of Shakespeare and film studies, providing a clear and logical apparatus with which to examine Shakespearean screen adaptations. |
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Pagina iii
Sarah Hatchuel. SHAKESPEARE , FROM STAGE TO SCREEN SARAH HATCHUEL CAMBRIDGE UNIVERSITY PRESS cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town,. Title.
Sarah Hatchuel. SHAKESPEARE , FROM STAGE TO SCREEN SARAH HATCHUEL CAMBRIDGE UNIVERSITY PRESS cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town,. Title.
Pagina v
Sarah Hatchuel. In memory of Bijou Contents Acknowledgments 1 Shakespeare, from stage to screen: a historical Dedication.
Sarah Hatchuel. In memory of Bijou Contents Acknowledgments 1 Shakespeare, from stage to screen: a historical Dedication.
Pagina viii
... screen' in Rouen. Her support and friendship have been very precious to me. I am grateful to Professor Elisabeth Angel-Perez, Professor Francis Bordat, Professor Russell Jackson and Professor Mich`ele Willems who were external advisers ...
... screen' in Rouen. Her support and friendship have been very precious to me. I am grateful to Professor Elisabeth Angel-Perez, Professor Francis Bordat, Professor Russell Jackson and Professor Mich`ele Willems who were external advisers ...
Pagina 1
Sarah Hatchuel. CHAPTER I Shakespeare , from stage to screen : a historical and aesthetic approach THE HISTORY OF SHAKESPEARE PRODUCTIONS In order to understand the aesthetic stakes of screen adaptation , this book first examines the ...
Sarah Hatchuel. CHAPTER I Shakespeare , from stage to screen : a historical and aesthetic approach THE HISTORY OF SHAKESPEARE PRODUCTIONS In order to understand the aesthetic stakes of screen adaptation , this book first examines the ...
Pagina 2
... Screen, the development of cinema was encouraged by the desire to go even further into realistic, credible presentation.2 For Vardac, the stage aesthetic inaugurated at the Restoration, then asserted by Garrick and Irving, would have ...
... Screen, the development of cinema was encouraged by the desire to go even further into realistic, credible presentation.2 For Vardac, the stage aesthetic inaugurated at the Restoration, then asserted by Garrick and Irving, would have ...
Inhoudsopgave
1 | |
CHAPTER 2 From theatre showing to cinema telling | 33 |
towards a real world | 66 |
from metatheatre to metacinema? | 94 |
the example of Hamlet | 127 |
CHAPTER 6 Case studies | 152 |
Bibliography | 177 |
Index | 186 |
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action actors aesthetic alienating Almereyda André Antony audience Baz Luhrmann Cambridge University Press camera moves camerawork characters cinema Claudius close-ups construction create devices dialogues diegesis diegetic discourse dramatic editing effects Elizabethan emotional emphasizes enunciation extradiegetic music fiction film directors filmic flashback focuses frame Franco Zeffirelli French gaze genre Ghost Hamlet Henry high-angle shot Hollywood Iago Ibid identification illusion images inserts interpolations Juliet Katherine Kenneth Branagh King Kozintsev Laurence Olivier London low-angle shot Luhrmann metacinematic metafilmic metaphorical Midsummer Night’s Dream mirror monologue movements movie narration narrative Oliver Parker Olivier's Ophelia original play Othello Paris performance present production realistic reflect reveal Richard Richard III Richard Loncraine romantic Romeo scene screen adaptations screenplay semiotic sequence Shakespeare adaptations Shakespeare films Shakespeare on Film Shakespeare on Screen Shakespeare text Shakespeare’s plays showing slow-motion soliloquy space spectators speech stage story subtext Taymor technique theatre theatrical Titus trans viewers viewpoint visual words Zeffirelli