'Tis love maks the sang o' the woodland sae cheery; Love gars a' Nature look bonnie that's near ye; O, Jeanie, there's naething to fear ye! WHEN THE KYE COMES HAME.* AIR-"Shame fa' the gear and the blathrie o't." COME all ye jolly shepherds, That whistle through the glen, I'll tell ye of a secret That courtiers dinna ken: What is the greatest bliss That the tongue o' man can name? When the kye comes hame, "Tis not beneath the coronet, There the blackbird bigs his nest When the blewart bears a pearl, Has fauldit up her e'e, Then the laverock frae the blue lift Doops down, an' thinks nae shame To woo his bonny lassie When the kye comes hame. When the kye comes hame, etc. See yonder pawkie shepherd, His ewes are in the fauld, An' his lambs are lying still; In the title and chorus of this favourite pastoral song, I choose rather to violate a rule in grammar, than a Scottish phrase so common, that when it is altered into the proper way, every shepherd and shepherd's sweetheart account it nonsense. I was once singing it at a wedding with great glee the latter way, When the kye come hame," when a tailor, scratching his head, said, "It was a terrible affectit way that!' I stood corrected, and have never sung it so again.-Hogg. Yet he downa gang to bed, When the kye comes hame. That the heart can hardly frame, When the kye comes hame, etc. Then since all Nature joins When the kye comes hame, MISCHIEVOUS WOMAN. Could this ill warld ha'e been contrived That man maun ha'e this crazing crony; Why sic a sweet bewitching face? Oh, had she no been made sae bonny! As happy as the lamb beside me. Wi' glossy e'en sae dark and wily. And gat the wound that keeps me waking. My harp waves on the willow green, O' wild witch-notes it has nae ony, THE WOMEN FOLK.* O SARELY may I rue the day Ae quiet thought or peace o' mind! * The air of this song is my own. It was first set to music by Heather, and most beautifully set, too. It was afterwards set by Dewar, whether with the same accompaniments or not, I have forgot. It is my own favourite humorous song when forced by ladies to sing against my will, which too frequently happens; and notwithstanding my wood-notes wild, it will never be sung by any so well again.-For the air, see the "Border Garland."-Hogg. They ha'e plagued my heart, an' pleased my e'e, The pawky things I lo'e them still. O, the women folk! O, the women folk! For they winna let a body be! I ha'e thought an' thought, but darena tell, O, the women folk! etc. That they ha'e gentle forms an' meet, An' waving curls aboon the bree; Even but this night, nae farther gane, I tak ye witness, ilka ane, How fell they fought, and fairly dang. An' forced a man to sing a sang, O, the women folk! O, the women folk! For they winna let a body be! M'LEAN'S WELCOME.* And his loyal train. And doe from the glen, The salt sea we'll harry, I versified this song at Meggernie Castle, in GlenLyon, from a scrap of prose said to be the translation, verbatim, of a Gaelic song, and to a Gaelic air, sung by one of the sweetest singers and most accomplished and angelic beings of the human race. But, alas! earthly happiness is not always the lot of those who, in our erring estimation, most deserve it. She is now no more, and many a strain have I poured to her memory. The air is arranged by Smith.-See the "Scottish Minstrel." -Hogg. I SING of a land that was famous of yore, The land of green Appin, the ward of the flood, Where every grey cairn that broods o'er the shore, Marks grave of the royal, the valiant, or good. The land where the strains of grey Ossian were framed, The land of fair Selma, the reign of Fingal, And late of a race, that with tears must be named The noble Clan-Stuart, the bravest of all. The gallant, devoted, old Stuarts of Their glory is o'er, For the clan is no more, And the Sassenach sings on the hills of green Appin. In spite of the Campbells, their might and In the year of the Graham, while in oceans of! blood, The fields of the Campbells were gallantly flowing, It was then that the Stuarts the foremost still stood, And paid back a share of the debt they were owing. O, proud Inverlochy! O, day of renown! Since first the sun rose o'er the peaks of Cruachin, Was ne'er such a host by valour o'erthrown, Was ne'er such a day for the Stuarts of Appin. Oh-hon, an Righ! and the Stuarts of Appin, etc. And ne'er for the crown of the Stuarts was fought One battle on vale, or on mountain deertrodden, But dearly to Appin the glory was bought, And, dearest of all, on the field of Culloden! Lament, O, Glen-Creran, Glen-Duror, Ardshiel, High offspring of heroes who conquer'd were never, For the deeds of your fathers no bard shall reveal, And the bold Clan of Stuart must perish for ever! Oh-hon, an Righ! and the Stuarts of Clan-Chattan is broken, the Seaforth bends low, The sun of Clan-Ranald is sinking in labour; Glencoe, and Clan Donnachie, where are they now? And where is bold Keppoch, the lord of Lochaber? All gone with the house they supported!— laid low, While dogs of the south their bold life-blood were lapping, Trod down by a proud and merciless foe- Oh-hon, an Righ! and the Stuarts of They are gone! they are gone! the redoubted, the brave, The sea-breezes lone o'er their relics are sighing; Dark weeds of oblivion shroud many a grave, Where the unconquer'd foes of the Campbells are lying. But, long as the grey hairs wave over this brow, The gallant, devoted, old Stuarts of Their glory is o'er, For their star is no more, And the green grass waves over the heroes of Appin! CHARLIE IS MY DARLING.* 'Twas on a Monday morning, An' Charlie is my darling, As Charlie he came up the gate, Then ilka bonny lassie sang, As to the door she ran, Out ow'r yon moory mountain, An' Charlie he's my darling, etc. Our Highland hearts are true an' leal, An' glow without a stain; Our Highland swords are metal keen, An' Charlie he's my darling, LOVE IS LIKE A DIZZINESS. I LATELY lived in quiet ease, O, love, love, love! Love is like a dizziness, To tell my feats this single week, I wear my stockings white an' blue, I drill the land that I should plough, Altered at the request of a lady who sang it sweetly, and published in the "Jacobite Relics."-Hogg. Ae morning, by the dawn o' day, Her wily glance I'll ne'er forget, The dear, the lovely blinkin' o't Has pierced me through an' through the heart, An' plagues me wi' the prinklin' o't. I tried to sing, I tried to pray, I tried to drown't wi' drinkin' o't, Nae man can tell what pains I prove, Love is like a dizziness, 'Tis sweet to hear the music float Along the gloaming lee; "Tis sweet to hear the blackbird's note Come pealing frae the tree; To see the lambkins lightsome race- O, had it no' been for the blush But aye sin' that dear thing o' blame But deadliest far the sacred flame There's beauty in the violet's vest- The sun will rise an' set again, 0, WEEL BEFA' THE MAIDEN GAY.* O, WEEL befa' the maiden gay, Wha lo'es the modest truth sae weel, O, weel befa' the bonny thing " This song was written at Elleray, Mr Wilson's seat in Westmoreland, where a number of my very best things were written. There was a system of competition went on there, the most delightful that I ever engaged in. Mr Wilson and I had a 'Queen's Wake" every wet day-a fair set-to who should write the best poem between breakfast and dinner, and, if I am any judge, these friendly competitions produced several of our best poems, if not the best ever written on the same subjects before. Mr Wilson, as well as Southey and Wordsworth, had all of them a way of singing out their poetry in a loud sonorous key, which was very impressive, but perfectly ludicrous. Wilson, at that period, composed all his poetry by going over it in that sounding strain; and in our daily competitions, although our rooms were not immediately adjoining, I always overheard what progress he was making. When he came upon any grand idea, he opened upon it full swell, with all the energy of a fine fox-hound on a hot trail. If I heard many of these vehement aspirations, they weakened my hands and discouraged my heart, and I often said to myself, "Gude faith, it's a' ower wi' me for this day!" When we went over the poems together in the evening, I was always anxious to learn what parts of the poem had excited the sublime breathings which I had heard at a distance, but he never could tell me.-Hogg. THE FLOWERS OF SCOTLAND. The thistle's purple bonnet, Though England eyes her roses For the wee bit leaf o' Ireland, An' steal the gem away. Up wi' the flowers o' Scotland, H A foe had better brave the deil Within his reeky cell, Than our thistle's purple bonnet, Or bonny heather-bell. LASS, AN' YE L'OE ME, TELL ME NOW.* "AFORE the muircock begin to craw, An' sae is the milk-white flower o' the haw, The daisy's wee freenge is sweet on the lea, But the bud of the rose is the bonniest of a'." "Now, wae light on a' your flow'ry chat, An' I canna come every night to woo!" "The lamb is bonny upon the brae, The leveret friskin' o'er the knowe, The bird is bonny upon the tree But which is the dearest of a' to you?" "The thing that I lo'e best of a', Lass, an' ye lo'e me, tell me now; The dearest thing that ever I saw, Though I canna come every night to woo, "Aha! young man, but I cou'dna see, A kindly look, an' a word witha' "Then, dear, dear Bessie, you shall be mine, Sin' a' the truth ye ha'e tauld me now, Our hearts an' fortunes we'll entwine, An' I'll aye come every night to woo; The feeling o' love's and nature's law, PULL AWAY, JOLLY BOYS! Here's a weather-beaten tar, *This song was suggested to the Shepherd by the words adapted to the formerly popular air, "Lass, gin ye lo'e me"-begirning, "I hae laid a herring in saut." We've with Nelson plough'd the main, Brave hearts, then let us go We have fought and we have sped, We've stood many a mighty shock, Pull away, gallant boys! Here we go upon the deep, Pull away, gallant boys! In garden or bower, Like auld Joe Nicholson's bonny Nanny! Ae day she came out, wi' a rosy blush, The looks that stray'd o'er nature away My heart lay beating the flowery green, There's mony a joy in this warld below, An' sweet the hopes that to sing were un canny; |