"Doitet bodie! auld or young, Gae hame an' ance bethink yoursel' LASS OF LOGIE. AIR-"Lass of Arranteenie." I'VE seen the smiling summer flower But the bonniest lass that I ha'e seen Her lips were like the heather bloom, I said, "My lassie, come wi' me, To make you blythe and vogie;" But she has smiled, and fate has frown'd, Can never be my marrow. MY AIN WIFE. I WADNA gi'e my ain wife A bonnier yet I've never seen, Though beauty is a fadin' flower, It looks fu' well in ony wife, She ance was ca'd a bonnie lass- I wadna gi'e my ain wife Oh, couthy is my ingle-cheek, I wadna gi'e my ain wife But oh, her looks sae kindly, JEAN OF ABERDEEN. In streamy Don's gay broomy howes; Amang their banks and braes sae green→→ These borrow a' their finest hues Frae lovely Jean of Aberdeen. Ye've seen the dew-eyed bloomy haw, When morning gilds the welkin high; Ye've heard the breeze o' summer blaw, When e'ening steals alang the sky. But brighter far is Jeanie's eye When we're amang the braes alane, An' softer is the bosom-sigh Of lovely Jean of Aberdeen. Though I had a' the valleys gay THE HOPELESS EXILE. AIR-"Alas! for Poor Teddy Macshane." OH! where has the exile his home? Oh! where has the exile his home? Where the mountain is steep, Where the valley is deep, Where the waves of the Ohio foam; Where no cheering smile His woes may beguile Oh there has the exile his home. U Oh! when will the exile return? When Erin no longer shall mourn; When his name we disown, ALEXANDER CARLILE, ALEXANDER CARLILE was born at Paisley in the year 1788. His progenitors were remarkable for their acquaintance with the arts, and relish for elegant literature. His eldest brother, the late Dr Carlile of Dublin, attained much eminence as a profound thinker and an accomplished theologian. Having received a liberal education, first at the grammar-school of Paisley, and afterwards in the University of Glasgow, the subject of this sketch settled as a manufacturer in his native town. Apart from the avocations of business, much of his time was devoted to the concerns of literature; he contributed to various periodicals, and composed verses for several works on the national minstrelsy. At an early period he wrote the spirited and popular song, beginning "Oh, wha's at the window, wha, wha?" which has since obtained a place in all the collections. His only separate publication, a duodecimo volume of "Poems," appeared in 1855. Mr Carlile was much devoted to the interests of his native town, and sedulously endeavoured to promote the moral and social welfare of his fellowtownsmen. He died at Paisley on the 4th August 1860. WHA'S AT THE WINDOW?* He has plighted his troth, and a', and a', And sae has she dune, By a' that's abune, For he lo'es her, she lo'es him, 'bune a', 'bune 'a, Bridal-maidens are braw, braw, But the bride's modest ee, It's mirth on the green, in the ha', the ha', THOMAS LYLE was born at Paisley in 1792. Attending the philosophical and medical classes in the University of Glasgow, he obtained the diploma of surgeon in the year 1816. He commenced medical practice in Glasgow, where he remained till 1826, when he removed to Airth, Stirlingshire. The latter locality afforded him abundant opportunities for prosecuting his favourite study of botany; and he frequently proceeded at early dawn to great distances in quest of curious or rare plants, so as to gratify his peculiar tastes without interfering with the duties of his profession. At an earlier period of life, having cherished a love for the ancient national music, he was in the habit of collecting and noting such of the older airs as were rapidly passing into oblivion. He was particularly struck with one of these airs, which he deemed worthy of more suitable words than those to which it was commonly sung.* At this period he often resorted, in his botanical rambles, to the wooded and sequestered banks of the Kelvin, about two miles north-west of Glasgow; and in consequence he was led to compose for his favourite tune the words of his beautiful song, "Kelvin Grove." "The Harp of Renfrewshire" was now in the course of being published, in numbers, under the editorship of his college friend and professional brother, John Sim, and to this work he contributed his new song. In a future number of the work, the song appeared without his name, as was requested, but with some unauthorised alterations. Of these he complained to Mr Sim, who laid the blame on Mr John Murdoch, who had succeeded him in the editorship, and Mr Lyle did not further prosecute inquiry on the subject. On the retirement of Mr Murdoch, the editorship of "The Harp of Renfrewshire" was intrusted to the poet Motherwell, who incautiously ascribed the song to Mr Sim in the index of the work. Sim died in the West Indies before this period; and, in the belief that the song had been composed by him, Mr Purdie, music-seller in Edinburgh, made purchase of the copyright from his representatives, and published the words, with music arranged for the piano by Robert Archibald Smith. Mr Lyle now asserted his title to the authorship, and on Mr Sim's letter regarding the alterations being submitted to Messrs Motherwell and Smith, a decision in favour of his claim was pronounced by these gentlemen. Mr Lyle was shortly after invited by Mr Smith to contribute songs for the "Irish Minstrel," one of his numerous musical publications. In 1827 Mr Lyle published the results of his researches into the song literature of his country in a duodecimo volume, entitled "Ancient Ballads and Songs, chiefly from Tradition, Manuscripts, and scarce Works, with Biographical and Illustrative Notices." Of this work, the more interesting portion consists of "Miscellaneous The former words to this air commenced, "Oh! the shearing's no for you, bonnie lassie, O!" † See article "John Sim," ante. Poems, by Sir William Mure, Knight of Rowallan," together with several songs of various merit by the editor. Having acted as medical practitioner at Airth during the period of twenty-eight years, Mr Lyle, in the close of 1853, returned to Glasgow, where he actively prosecuted the duties of his profession. His death took place in Glasgow, on the 19th April 1859. KELVIN GROVE. LET us haste to Kelvin Grove, bonnie lassie, O! Where the midnight fairies glide, bonnie Let us wander by the mill, bonnie lassie, O! O Kelvin banks are fair, bonnie lassie, O! Though I dare not call thee mine, bonnie As the smile of fortune's thine, bonnie lassie, O! Yet with fortune on my side, I could stay thy father's pride, But the frowns of fortune lower, bonnie On thy lover at this hour, bonnie lassie, O! Wake the warblers on the spray, From this land I must away, bonnie lassie, O! Then farewell to Kelvin Grove, bonnie lassie, O! To the fragrant-scented breer, When upon a foreign shore, bonnie lassie, O! Should I fall midst battle's roar, bonnie lassie, O! Then, Helen! shouldst thou hear Of thy lover on his bier, To his memory shed a tear, bonnie lassie, O! JAMES HOME. JAMES HOME was born in 1804, on the farm of Hollybush, about a mile south of Galashiels. During a period of about thirty years, he was employed in the humble capacity of a dry-stone mason in Peebleshire. He ultimately received the office of postmaster at Rachan Mill in his native county. Home did not venture on a publication, and latterly abandoned the composition of verses. In youth he was, writes a correspondent, "an enthusiast in love, music, and poetry." A number of his songs and poetical pieces, which he had addressed to friends, have long been popular in the south of Scotland. His song entitled "This Lassie o' Mine" has enjoyed an uncommon measure of general favour. His compositions are replete with pathos; he has skilfully told the lover's tale; and has most truthfully depicted the joys and sorrows, hopes and fears, of human life. Some of his best pieces appear in the "Unknown Poets" of Mr Alexander Campbell,—a work which only reached a single number. Of mild dispositions, modest manners, and industrious habits, Home was much respected in private life. He died at Rachan Mill, on the 27th September 1868. MARY STEEL. I'LL think o' thee, my Mary Steel, When the lark begins to sing, And a thousan', thousan' joyfu' hearts When the merle and the blackbird build their nest In the bushy forest tree, And a' things under the sky seem blest, I'll think o' thee, my Mary Steel, When the simmer spreads her flowers, I'll think o' thee, my Mary Steel, When the shepherd brings his ewes to the fauld, I'll think o' thee, my Mary Steel, When the winter winds rave high, OH, HAST THOU FORGOTTEN? Oh, hast thou forgotten, what I ne'er can forget, Oh, hast thou forgotten that moment of bliss, Oh, hast thou forgotten that sacred spot, Then for ever farewell, thou false fair one; Yet never again on thy warm young cheek THE MAID OF MY HEART. AIR-"The last Rose of Summer." WHEN the maid of my heart, with the dark rolling eye, The only beloved of my bosom is nigh, When around and above us there's nought to be seen, But the moon on the sky and the flower on the green, And all is at rest in the glen and the hill, Save the soul-stirring song of the breeze and the rill. Then the maid of my heart to my bosom is press'd, Then all I hold dear in this world is possess'd; Then I ask not of Heaven one bliss to impart, Save that which I feel with the maid of my heart. THIS LASSIE O' MINE.* O, saw ye this sweet bonnie lassie o' mine? It's no that she dances sae light on the green, It's no the simplicity marked in her mienBut, O! it's the kind love that speaks in her ee That keeps me aye happy as happy can be. To meet her alane 'mang the green leafy trees, When naebody kens, an' when naebody sees; To breathe out the soul in a saft melting kissOn earth sure there's naething is equal to this. I have felt every bliss which the soul can enjoy, When friends circle round, and nought to *This song is introduced in Blackie's posthumous edition of the Ettrick Shepherd's works as one of Hogg's own compositions. The original was handed to the Shepherd by the late Mr Peter Roger of Peebles, and Hogg, with the view of directing attention to the real author, introduced it shortly after in his Noctes Bengeriana, in the "Edinburgh Literary Journal" (vol. I., p. 258). Being included in this periodical paper, the editor of his posthumous works had assumed that the song was the Shepherd's own composition. |