An Accented Cinema: Exilic and Diasporic FilmmakingPrinceton University Press, 2001 - 374 pagina's In An Accented Cinema, Hamid Naficy offers an engaging overview of an important trend--the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly from one person to the next, the films themselves exhibit stylistic similarities, from their open- and closed-form aesthetics to their nostalgic and memory-driven multilingual narratives, and from their emphasis on political agency to their concern with identity and transgression of identity. The author explores such features while considering the specific histories of individuals and groups that engender divergent experiences, institutions, and modes of cultural production and consumption. Treating creativity as a social practice, he demonstrates that the films are in dialogue not only with the home and host societies but also with audiences, many of whom are also situated astride cultures and whose desires and fears the filmmakers wish to express. Comparing these films to Hollywood films, Naficy calls them "accented." Their accent results from the displacement of the filmmakers, their alternative production modes, and their style. Accented cinema is an emerging genre, one that requires new sets of viewing skills on the part of audiences. Its significance continues to grow in terms of output, stylistic variety, cultural diversity, and social impact. This book offers the first comprehensive and global coverage of this genre while presenting a framework in which to understand its intricacies. |
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Exilic and Diasporic Filmmaking Hamid Naficy. Contents Acknowledgments List of Illustrations Introduction 1. Situating Accented Cinema Accented Filmmakers xi xiii 3 10 10 Exilic Filmmakers Diasporic Filmmakers 11 13 Postcolonial Ethnic ...
Exilic and Diasporic Filmmaking Hamid Naficy. Acknowledgments_ OVER THE COURSE of the half decade that it took me to complete this book project , I benefited from the assistance of many filmmakers , scholars , research assistants , film ...
Exilic and Diasporic Filmmaking Hamid Naficy. List of Illustrations . 1. Worn - out but determined : allegorical inscription of filmmakers ' search for funding . George Murphy ( John Wodja ) in Amir Naderi's Manhattan by Numbers . 2 ...
Exilic and Diasporic Filmmaking Hamid Naficy. Introduction IN JUNE 1995 , while conducting research in Paris for this ... filmmakers have made in their Western sojourn since the 1960s , but several key Russian , European , Canadian , and ...
... filmmakers , which I have termed " accented cinema . " This is by no means ... exilic and diasporic communities to include the gen- eral public as well ... filmmakers and their artisanal production modes . Although many of their films are ...
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