INDEX TO THE FIRST VOLUME. The Figures in this Index refer to the Numbers of the Spectator. ABIGAILS, Inale, in fashion among the ladies, 55. Absence in conversation, a remarkable instance of it in Will Honeycomb, Acrostic, piece of false wit, divided into simple and compound, 60. Advertisements of an Italian chirurgeon, 22; from St. James's coffee-house, Advice; no order of persons too considerable to be advised, 34. Age rendered ridiculous, 6; how contemned by the Athenians, and respect- Alexander the Great, wry necked, 32. Ambition never satisfied, 27. Americans, their opinion of souls, 56; exemplified in a vision of one of their Ample, lady, her uneasiness, and the reason of it, 32. Anagram, what, and when first produced, 60. Andromache, a great fox-hunter, 57. April, the first of, the merriest day in the year, 47. Aretine made all the princes of Europe his tributaries, 23. Arietta, her character, 11; her fable of the lion and the man, in answer to Aristotle, his observation upon the Iambic verse, 31; upon tragedies, 40, 42. Arsinoe, the first musical opera on the English stage, 18. Avarice, the original of it, 55; operates with luxury, ibid.; at war with Audiences at present void of common sense, 13. VOL. 1.-34 Aurelia, her character, 15. Author, the necessity of his readers being acquainted with his size, com Bacon, Sir Francis, his comparison of a book well written, 10; his observa Bags of money, a sudden transformation of them into sticks and paper, 3. Bawdry, never writ but where there is a dearth of invention, 51. Beaver the haberdasher, a great politician, 49. Beauties when plagiaries, 4; the true secret how to improve beauty, 33; Bell, Mr., his ingenious device, 28. Birds, a cage full for the opera, 5. Biters, their business, 47. Blackmore, Sir Richard, his observations, 6. Blanks of society, who, 10. Blank verse proper for tragedy, 39. Board-wages, the ill effects of it, S8. Bohours, Monsieur, a great critic among the French, 62. Bouts-rimez, what, 60. Breeding, fine-breeding distinguished from good, 66. British ladies distinguished from the Piets, 41. Brunetta and Phillis, their adventures, 80. Bruyere, Monsieur, his character of an absent man, 77. Bullock and Norris, differently habited, prove great helps to a silly play. 44. Butts described, 47; the qualifications of a butt, ibid. Cæsar, Julius, his behaviour to Catullus, who had put him into a lampoon, 23. Caligula, his wish, 16. Camilla, a true woman in one particular, 15. Carbuncle, Dr. his dye, what, 52. Censor of small wares, an officer to be erected, 16. Charles I. a famous picture of that prince, 58. Chevy-chase, the Spectator's examen of it, 70, 74. Children in the wood, a ballad, wherein to be commended, 85. Chronogram, a piece of false wit, 60. Cicero, a punster, 61; the entertainment found in his philosophic writings, ibid. Clarinda, an idol, in what manner worshipped, 73. Cleanthe, her story, 15. Clergyman, one of the Spectator's club, 2. Clergy, a threefold division of them, 21. Clubs, nocturnal assemblies so called, 9; several names of clubs, and their originals, ibid. &c.; rules prescribed to be observed in the Two-penny Commerce, the extent and advantage of it, 69. Condé, prince of, his face like that of an eagle, 86. Consciousness, when called affectation, 38. Conversation most straitened in numerous assemblies, 68. Coquettes, the present numerous race, to what owing, 66. Coverley, Sir Roger de, a member of the Spectator's club, his character, 2; his opinion of men of fine parts, 6. Courtier's habit, on what occasions hieroglyphical, 64. Cowley abounds in mixed wit, 62. Crab, of King's college in Cambridge, chaplain to the club of Ugly Faces, Credit, a beautiful virgin, her situation and equipage, 3; a great valetudi- Cross, Miss, wanted near half a ton of being as handsome as Madam Van Dancing, a discourse on it, defended, 67. Death, the time and manner of our death not known to us, 7. Debt, the ill state of such as run in debt, 82. Deformity, no cause of shame, 17. Delight and surprise, properties essential to wit, 62. Demurrers, what sort of women so to be called, 89. Dignitaries of the law, who, 21. Divorce, what esteemed to be a just pretension to one, 41. Donne, Dr., his description of his mistress, 41. Dryden, his definition of wit censured, 62. Duelling, a discourse against it, 84. Dull fellows, who, 43; their inquiries are not for information, but exercise, ibid.; naturally turn their heads to politics or poetry, ibid. Dutch more polite than the English in their buildings, and monuments of Dyer, the news writer, an Aristotle in politics, 43. Envy: the ill state of an envious man, 19; his relief, ibid.; the way to ob tain his favour, ibid. Ephesian matron, the story of her, 11. Epictetus, his observation upon the female sex, 53. Epigram on Hecatissa, 52. Epitaphs, the extravagance of some, and modesty of others, 26; an epitapu Equipages, the splendor of them in France, 15; a great temptation to the Etherege, Sir George, author of a comedy called She Would if She Could, Eubulus, his character, 49. Eucrate, the favorite of Pharamond, 76; his conference with Pharamond, 84 Fable of the lion and the man, 11; of the children and frogs, 23; of Jupiter and the countryman, 25. Falsehood, the goddess of, 63. False wit, the region of it, 25. Falstaff, Sir John, a famous butt, 47. Fame, generally coveted, 78. Fashion, the force of it, 64. Fear of death often mortal, 25. Female virtues, which the most shining, 81. Fine gentleman, a character frequently misapplied by the fair sex, 75. Fools, great plenty of them the first day of April, 47. Freeport, Sir Andrew, a member of the Spectator's club, 2. French poets, wherein to be imitated by the English, 45. Friendship, the great benefit of it, 68; the medicine of life, ibid.; the qual Gallantry: wherein true gallantry ought to consist, 7. Gaper: the sign of the gaper frequent in Amsterdam, 47. Gentry of England, generally speaking, in debt, 82. Ghosts warned out of the playhouse, 36; the appearance of a ghost of great efficacy on an English theatre, 44. Gospel gossips described, 46. Goths in poetry, who, 62. Handkerchief, the great machine for moving pity in a tragedy, 44. Happiness, true, an enemy to pomp and noise, 15. Hard words ought not to be pronounced right by well-bred ladies, 45. Hobbs, Mr. his observations upon laughter, 47. Honeycomb, Will, his character, 2; his discourse with the Spectator in the Human nature, the same in all reasonable creatures, 70. Honour to be described only by negatives, 35; the genealogy of true honour, Iambic verse the most proper for Greek tragedies, 49. James, how polished by love, 71. Idiots, in great request in most of the German courts, 47. Idols: coffee-house idols, 87; who of the fair sex so called, 73. Impudence gets the better of modesty, 2; an impudence committed by the eyes, 20; the definition of English, Scotch, and Irish impudence, ibid. Injuries how to be measured. 23. 1 Inkle and Yarico, their story, 11. Innocence, and not quality, an exemption from reproof, 34. Italian writers, florid and wordy, 5. Kim bow, Thomas, states his case in a letter to the Spectator 24. Lady's library described, 37. Lætitia and Daphne, their story, 33. Lampoons written by people that cannot spell, 16; witty lampoons inflict Larvati, who so called among the ancients, 32. Lath, Squire, has a good estate which he would part withal for a pair of Laughter, immoderate, a sign of pride, 47; the provocations to it, ibid. King Lear, a tragedy, suffers in the alteration, 40. Lee, the poet, well turned for tragedy, 39. Learning ought not to claim any merit to itself, but upon the application Leonora, her character, 37; the description of her country-seat, ibid. Letters to the Spectator; complaining of the masquerade, 8; from the |