The Spectator, Volume 1Alexander Chalmers D. Appleton., 1879 |
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Pagina 3
... Steele and Addison appear to have used the Tatler as a kind of exercise , a trial of skill , to determine what they could produce , and what the public ex- pected , " quid ferreant humeri quid recusant ; " and having made suitable ...
... Steele and Addison appear to have used the Tatler as a kind of exercise , a trial of skill , to determine what they could produce , and what the public ex- pected , " quid ferreant humeri quid recusant ; " and having made suitable ...
Pagina 4
... Steele had once secured the services of Addison , when he saw not only what they had pro- duced , but what they might produce , he could not but review the imperfections and inequalities of the Tatler with a wish that his potent ...
... Steele had once secured the services of Addison , when he saw not only what they had pro- duced , but what they might produce , he could not but review the imperfections and inequalities of the Tatler with a wish that his potent ...
Pagina 5
... Steele should conclude without giving Addison notice , it was a surprise that could not last long . It is indeed highly probable that Steele immediately communicated with Addison on the subject , unless we were to suppose , contrary to ...
... Steele should conclude without giving Addison notice , it was a surprise that could not last long . It is indeed highly probable that Steele immediately communicated with Addison on the subject , unless we were to suppose , contrary to ...
Pagina 6
... Steele and Addison immediately formed the plan of the Spec- tator , probably communicated to each other the first sketch of the club , and determined that the work should be free from political intelligence at least , if not from ...
... Steele and Addison immediately formed the plan of the Spec- tator , probably communicated to each other the first sketch of the club , and determined that the work should be free from political intelligence at least , if not from ...
Pagina 7
... Steele , deline- ates the characters of the Club , or the dramatis per- sona of the work , the principal of whom is Sir Roger de Coverley . Dr. Johnson's remarks on this character demand our attention on many accounts . " It is recorded ...
... Steele , deline- ates the characters of the Club , or the dramatis per- sona of the work , the principal of whom is Sir Roger de Coverley . Dr. Johnson's remarks on this character demand our attention on many accounts . " It is recorded ...
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50 cents 75 cents acquaintance acrostics Addison admiration Æneid Æsop agreeable appear APPLETON audience beauty behaviour Benjamin Disraeli called character Chelsea CHRISTIAN REID cloth club coffee-house discourse dress DRYDEN edition endeavour English entertainment Eustace Budgell eyes face favour final note folio Forming Number genius gentleman George Etheridge give heart honour humble servant humour kind king lady laugh letter lion live look lord lover mankind manner merit mind morocco nature never novel observed occasion opera OVID Paper cover passion Paul Heyse person Pharamond Pict play pleased poem poet PURDUE LIBRARIES reader reason Rhoda Broughton Roger de Coverley ROSCOMMON says seems sense signatures Sir Roger speak Spect Spectator Steele Tatler thing thought tion told tragedy verses VIRG virtue whig whole woman women words writing young