The Seven Lamps of Architecture

abstraction admiration animal arcade arches archi architect architecture arrangement bas-reliefs beauty become breadth builders building campanile capital carve Cathedral Cathedral of Ferrara cathedral of Pisa central character church cloth colour columns considered dark deception decoration delight depends Doge's palace endeavour expression feeling flamboyant Gothic Gothic architecture grace Greek ground height honour human imitation instance Jane Eyre JOHN RUSKIN JULIA KAVANAGH kind labour laws less light lines look lower marble masses material means mind mouldings natural necessary never niches noble observe ornament painter painting Palazzo Foscari pediment perfect perhaps picturesque pillars pinnacles Plate pleasure Post 8vo present Price principle proportion quatrefoil reader Romanesque Rouen Rouen Cathedral rude sacrifice sculpture seen sense shade shadow shafts spandril stone Stones of Venice style sublimity surface tecture things thought tower tracery true truth ugly Venice vertical Volume wall whole