Concepts of Modern ArtNikos Stangos Harper & Row, 1981 - 384 pagina's No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
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Pagina 122
Nikos Stangos. centred round André Breton . Breton's inclination to formulate theories had always clashed with the nihilism of Dadaists like Picabia , as one can see by comparing one of his dada manifestos , ' Dada is a state of mind ...
Nikos Stangos. centred round André Breton . Breton's inclination to formulate theories had always clashed with the nihilism of Dadaists like Picabia , as one can see by comparing one of his dada manifestos , ' Dada is a state of mind ...
Pagina 126
... Breton , saying that he could not see what a collection of dreams without the dreamer's associations and childhood memories could possibly tell anyone . What the Surrealists saw in them was the imagination in its primitive state , and a ...
... Breton , saying that he could not see what a collection of dreams without the dreamer's associations and childhood memories could possibly tell anyone . What the Surrealists saw in them was the imagination in its primitive state , and a ...
Pagina 129
Nikos Stangos. the past , ' Masson replied , ' Breton is the future . ' Masson adopted the principle of automatism wholeheartedly , and the pen and ink draw- ings that he started in the winter of 1923-4 , just after he met Breton , are ...
Nikos Stangos. the past , ' Masson replied , ' Breton is the future . ' Masson adopted the principle of automatism wholeheartedly , and the pen and ink draw- ings that he started in the winter of 1923-4 , just after he met Breton , are ...
Inhoudsopgave
Preface Nikos Stangos | 10 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
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abstract art Abstract Expressionism Abstract Expressionists aesthetic American André André Breton Apollinaire architecture art movement artists automatism become Blaue Reiter Boccioni Braque Breton catalogue Cézanne collage colour composition Conceptual Art concerned Constructivism Constructivists contemporary critics Cubism Dada Dadaists Delaunay Demoiselles Derain Doesburg drawing Duchamp early elements Ernst exhibition expression Fauves Fauvism figure forms function futurist Gabo Gerrit Thomas Gris idea illustration images influence involved Kandinsky Kinetic Art Kooning Kupka Léger light Lissitzky London Malevich Manifesto Matisse means Miro Modern Art Mondrian Motherwell move Museum of Modern Newman objects Oil on canvas Orphism Ozenfant and Jeanneret painters painting Paris photo Museum Picabia Picasso pictorial picture planes Pollock Pop Art pure Purist Rietveld Robert Rothko Salon sculpture seems sense space spectator Stijl structure Studio style Suprematism suprematist surface Surrealism surrealist synthetic Tate Gallery technique Theo Theo van Doesburg tion tradition vertical visual Vlaminck wrote York