Concepts of Modern ArtNikos Stangos Harper & Row, 1981 - 384 pagina's No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
Vanuit het boek
Resultaten 1-3 van 94
Pagina 73
... Cubism to the minor figures of the movement – Metzinger , Gleizes and Herbin had all felt his influence . Now Laurens and above all Lipchitz who were transforming Cubism into a sculptural style turned to his work for ... cubist in Cubism 73.
... Cubism to the minor figures of the movement – Metzinger , Gleizes and Herbin had all felt his influence . Now Laurens and above all Lipchitz who were transforming Cubism into a sculptural style turned to his work for ... cubist in Cubism 73.
Pagina 74
... Cubism . But his iconography had never been truly cubist , and in the Fenêtres the subject , as such , had virtually ... Cubism lay primarily in the fact that the compositional procedures of Analytic Cubism sugges- ted a new way of ...
... Cubism . But his iconography had never been truly cubist , and in the Fenêtres the subject , as such , had virtually ... Cubism lay primarily in the fact that the compositional procedures of Analytic Cubism sugges- ted a new way of ...
Pagina 75
... cubist idiom , but Marcel Du- champ whose work at this time could already be described as proto- Dada in spirit , soon rejected both Cubism and Futurism in favour of the creation of his own personal mythology with its strong intel ...
... cubist idiom , but Marcel Du- champ whose work at this time could already be described as proto- Dada in spirit , soon rejected both Cubism and Futurism in favour of the creation of his own personal mythology with its strong intel ...
Inhoudsopgave
Preface Nikos Stangos | 10 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
11 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abstract art Abstract Expressionism Abstract Expressionists aesthetic American André André Breton Apollinaire architecture art movement artists automatism become Blaue Reiter Boccioni Braque Breton catalogue Cézanne collage colour composition Conceptual Art concerned Constructivism Constructivists contemporary critics Cubism Dada Dadaists Delaunay Demoiselles Derain Doesburg drawing Duchamp early elements Ernst exhibition expression Fauves Fauvism figure forms function futurist Gabo Gerrit Thomas Gris idea illustration images influence involved Kandinsky Kinetic Art Kooning Kupka Léger light Lissitzky London Malevich Manifesto Matisse means Miro Modern Art Mondrian Motherwell move Museum of Modern Newman objects Oil on canvas Orphism Ozenfant and Jeanneret painters painting Paris photo Museum Picabia Picasso pictorial picture planes Pollock Pop Art pure Purist Rietveld Robert Rothko Salon sculpture seems sense space spectator Stijl structure Studio style Suprematism suprematist surface Surrealism surrealist synthetic Tate Gallery technique Theo Theo van Doesburg tion tradition vertical visual Vlaminck wrote York