Concepts of Modern ArtNikos Stangos Harper & Row, 1981 - 384 pagina's No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
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Pagina 15
... Derain , on the other hand came from a middle - class family who regretted their son's chosen career as an artist until Matisse , who never conformed to the popu- lar image of an artist , visited them and convinced them of Derain's ...
... Derain , on the other hand came from a middle - class family who regretted their son's chosen career as an artist until Matisse , who never conformed to the popu- lar image of an artist , visited them and convinced them of Derain's ...
Pagina 27
... Derain colour is the theme of his paintings , and it is through this medium that he attempts to leap - frog the snares of representation . In these Thames paintings his colours have rarely been so powerful and resonant , yet he avoids ...
... Derain colour is the theme of his paintings , and it is through this medium that he attempts to leap - frog the snares of representation . In these Thames paintings his colours have rarely been so powerful and resonant , yet he avoids ...
Pagina 28
... Derain in his attempt to find an alternative to his other work . For Matisse , of course , this dichotomy never arose . There is no real break between his still - lives or landscapes and the other strongly lyrical works he executed at ...
... Derain in his attempt to find an alternative to his other work . For Matisse , of course , this dichotomy never arose . There is no real break between his still - lives or landscapes and the other strongly lyrical works he executed at ...
Inhoudsopgave
Preface Nikos Stangos | 10 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
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abstract art Abstract Expressionism Abstract Expressionists aesthetic American André André Breton Apollinaire architecture art movement artists automatism become Blaue Reiter Boccioni Braque Breton catalogue Cézanne collage colour composition Conceptual Art concerned Constructivism Constructivists contemporary critics Cubism Dada Dadaists Delaunay Demoiselles Derain Doesburg drawing Duchamp early elements Ernst exhibition expression Fauves Fauvism figure forms function futurist Gabo Gerrit Thomas Gris idea illustration images influence involved Kandinsky Kinetic Art Kooning Kupka Léger light Lissitzky London Malevich Manifesto Matisse means Miro Modern Art Mondrian Motherwell move Museum of Modern Newman objects Oil on canvas Orphism Ozenfant and Jeanneret painters painting Paris photo Museum Picabia Picasso pictorial picture planes Pollock Pop Art pure Purist Rietveld Robert Rothko Salon sculpture seems sense space spectator Stijl structure Studio style Suprematism suprematist surface Surrealism surrealist synthetic Tate Gallery technique Theo Theo van Doesburg tion tradition vertical visual Vlaminck wrote York