Concepts of Modern ArtNikos Stangos Harper & Row, 1981 - 384 pagina's No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
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Pagina 11
... Fauvism . In many cases the momentary excitement that held these painters buoyantly aloft and allowed them the maximum of freedom , deserted them as their work developed and matured . The hangover that followed accounts for the ...
... Fauvism . In many cases the momentary excitement that held these painters buoyantly aloft and allowed them the maximum of freedom , deserted them as their work developed and matured . The hangover that followed accounts for the ...
Pagina 22
... Fauves to react so positively to these new influences ; years later Othon Friesz defined his idea of what Fauvism was , an idea far removed from what Matisse was aiming at . Friesz wrote , ' [ Fauvism ] was not just an attitude , a ...
... Fauves to react so positively to these new influences ; years later Othon Friesz defined his idea of what Fauvism was , an idea far removed from what Matisse was aiming at . Friesz wrote , ' [ Fauvism ] was not just an attitude , a ...
Pagina 29
... Fauvism in 1906 to the strong monochromatic land- scapes of 1908 , but for Braque this transition was not the deliberate choice that Derain faced , it seems to have followed quite logically . After all , he had never been committed to a ...
... Fauvism in 1906 to the strong monochromatic land- scapes of 1908 , but for Braque this transition was not the deliberate choice that Derain faced , it seems to have followed quite logically . After all , he had never been committed to a ...
Inhoudsopgave
Preface Nikos Stangos | 10 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
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