Concepts of Modern ArtNo other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
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Pagina 17
During this summer of 1904 Matisse was staying at St Tropez where Signac had
a house, not far from where another Neo-Impressionist, Henri-Edmond Cross,
was living. Certainly this theory was much in evidence, but Matisse was not a ...
During this summer of 1904 Matisse was staying at St Tropez where Signac had
a house, not far from where another Neo-Impressionist, Henri-Edmond Cross,
was living. Certainly this theory was much in evidence, but Matisse was not a ...
Pagina 23
In retrospect, though, we tend to regard the importance of this canvas in its
relation to Picasso's Demoiselles d'Avignon, painted the following year, which
seems to directly challenge everything Matisse had yet done. One aspect of
Matisse that ...
In retrospect, though, we tend to regard the importance of this canvas in its
relation to Picasso's Demoiselles d'Avignon, painted the following year, which
seems to directly challenge everything Matisse had yet done. One aspect of
Matisse that ...
Pagina 25
The Bathers, in the National Gallery, London, an astonishing work, even for
Cezanne, is more startling in use of colour, distortion of figures and spatial
ambiguities than any Fauve work ever was, and clearly Matisse learnt more
consistently ...
The Bathers, in the National Gallery, London, an astonishing work, even for
Cezanne, is more startling in use of colour, distortion of figures and spatial
ambiguities than any Fauve work ever was, and clearly Matisse learnt more
consistently ...
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Inhoudsopgave
Preface Nikos Stangos | 7 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
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Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract art Abstract Expressionism Abstract Expressionists achieved aesthetic American Apollinaire architecture art movement artists automatism Bauhaus become Berlin Blaue Reiter Boccioni Braque Breton Cezanne collage colour composition Conceptual Art concerned construction Constructivism Constructivists contemporary context Cubism Dada Dadaists Delaunay Demoiselles Derain Doesburg drawing Duchamp early elements Ernst exhibition expression Fauves Fauvism figure forms function futurist Gallery Gerrit Thomas Gris idea illustration images influence involved Kandinsky Kinetic Art Kooning Kupka Leger light Lissitzky Malevich Manifesto material Matisse Matisse's means Miro Modern Art Mondrian Motherwell move Museum of Modern Newman objects Oil on canvas Orphism painters painting Paris photo Museum Picabia Picasso pictorial picture planes Pollock Pop Art pure Purist Rietveld Robert Rothko sculpture seems sense space spectator Stijl structure studio style Suprematism suprematist surface Surrealism surrealist synthetic Synthetic Cubism technique Theo Theo van Doesburg tion tradition vertical visual Vlaminck Vorticists wrote York
Bibliografische gegevens
| Titel | Concepts of Modern Art Icon Editions |
| Redacteur | Nikos Stangos |
| Bijdrager | Nikos Stangos |
| Editie | 2, geïllustreerd |
| Uitgever | Harper & Row, 1981 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 17 nov 2009 |
| ISBN | 0064301044, 9780064301046 |
| Lengte | 384 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |