Concepts of Modern ArtNikos Stangos Harper & Row, 1981 - 384 pagina's No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
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Pagina 130
... Miro might ' pass as the most surrealist of us all'.46 ' I begin painting , ' Miro said , ' and as I paint the picture begins to assert itself , or suggest itself , under my brush . The form becomes a sign for a woman or a bird as I ...
... Miro might ' pass as the most surrealist of us all'.46 ' I begin painting , ' Miro said , ' and as I paint the picture begins to assert itself , or suggest itself , under my brush . The form becomes a sign for a woman or a bird as I ...
Pagina 171
... Miro ( Dutch Interior I , 1928 , MOMA ) , Léger ( La Ville , 1919 , Philadelphia Museum ; formerly Gallatin Collection , New York ) , Matisse ( Bathers by the River , 1916– 17 , Art Institute of Chicago ; formerly Valentine Gallery ...
... Miro ( Dutch Interior I , 1928 , MOMA ) , Léger ( La Ville , 1919 , Philadelphia Museum ; formerly Gallatin Collection , New York ) , Matisse ( Bathers by the River , 1916– 17 , Art Institute of Chicago ; formerly Valentine Gallery ...
Pagina 195
... Miro . In Rothko's works of 1945-6 there is a reminiscence of those of Miro's of the twenties in which schematic and calligraphic forms are simultaneously floated upon and embedded in a ' soft ' , ' deep ' , ' opaque ' ground . The ...
... Miro . In Rothko's works of 1945-6 there is a reminiscence of those of Miro's of the twenties in which schematic and calligraphic forms are simultaneously floated upon and embedded in a ' soft ' , ' deep ' , ' opaque ' ground . The ...
Inhoudsopgave
Preface Nikos Stangos | 10 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
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abstract art Abstract Expressionism Abstract Expressionists aesthetic American André André Breton Apollinaire architecture art movement artists automatism become Blaue Reiter Boccioni Braque Breton catalogue Cézanne collage colour composition Conceptual Art concerned Constructivism Constructivists contemporary critics Cubism Dada Dadaists Delaunay Demoiselles Derain Doesburg drawing Duchamp early elements Ernst exhibition expression Fauves Fauvism figure forms function futurist Gabo Gerrit Thomas Gris idea illustration images influence involved Kandinsky Kinetic Art Kooning Kupka Léger light Lissitzky London Malevich Manifesto Matisse means Miro Modern Art Mondrian Motherwell move Museum of Modern Newman objects Oil on canvas Orphism Ozenfant and Jeanneret painters painting Paris photo Museum Picabia Picasso pictorial picture planes Pollock Pop Art pure Purist Rietveld Robert Rothko Salon sculpture seems sense space spectator Stijl structure Studio style Suprematism suprematist surface Surrealism surrealist synthetic Tate Gallery technique Theo Theo van Doesburg tion tradition vertical visual Vlaminck wrote York