Concepts of Modern ArtNikos Stangos Harper & Row, 1981 - 384 pagina's No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
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Pagina 59
... Synthetic Cubism , when painting had once again become flatter and more relaxed , that Picasso's experimental constructions in wood , tin and cardboard laid the foundations for a truly cubist school of sculpture . For some time now ...
... Synthetic Cubism , when painting had once again become flatter and more relaxed , that Picasso's experimental constructions in wood , tin and cardboard laid the foundations for a truly cubist school of sculpture . For some time now ...
Pagina 68
... Synthetic Cubism had in common with that of Braque , rather than those which set it apart , that conditioned the develop- ment of cubist sculpture . If we were to transpose mentally the flat , slab - like shapes of their synthetic cubist ...
... Synthetic Cubism had in common with that of Braque , rather than those which set it apart , that conditioned the develop- ment of cubist sculpture . If we were to transpose mentally the flat , slab - like shapes of their synthetic cubist ...
Pagina 75
... synthetic rather than from analytic procedures . Very few of the other figures originally associated with Cubism worked through to anything approaching a truly ... cubist painting and aesthetics , were over , for him , for ever Cubism 75.
... synthetic rather than from analytic procedures . Very few of the other figures originally associated with Cubism worked through to anything approaching a truly ... cubist painting and aesthetics , were over , for him , for ever Cubism 75.
Inhoudsopgave
Preface Nikos Stangos | 10 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
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