Concepts of Modern ArtNo other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
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Pagina 195
somewhat 'French' reliance upon displayed characteristics of facture: one texture
or colour or form or motif against another; never quite the 'sense of the whole
thing' achieved so consistently by Rothko and Newman from 1948 onward.
Rothko ...
somewhat 'French' reliance upon displayed characteristics of facture: one texture
or colour or form or motif against another; never quite the 'sense of the whole
thing' achieved so consistently by Rothko and Newman from 1948 onward.
Rothko ...
Pagina 251
Stacked boxes may appear deceptively rude and simple, but they successfully
achieved Judd's ambition to redefine the terms for making sculpture. Critical to
that redefinition is the fact that the forms are assembled rather than being
modelled ...
Stacked boxes may appear deceptively rude and simple, but they successfully
achieved Judd's ambition to redefine the terms for making sculpture. Critical to
that redefinition is the fact that the forms are assembled rather than being
modelled ...
Pagina 259
It must have absolutely no 'aura', no uniqueness to it whatsoever.3 Ultimately, few
Conceptual works achieved this ideal state, but some came close, and in doing
so achieved an unsettling blend of aesthetic purity and political idealism.
It must have absolutely no 'aura', no uniqueness to it whatsoever.3 Ultimately, few
Conceptual works achieved this ideal state, but some came close, and in doing
so achieved an unsettling blend of aesthetic purity and political idealism.
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Inhoudsopgave
Preface Nikos Stangos | 7 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
abstract art Abstract Expressionism Abstract Expressionists achieved aesthetic American Apollinaire architecture art movement artists automatism Bauhaus become Berlin Blaue Reiter Boccioni Braque Breton Cezanne collage colour composition Conceptual Art concerned construction Constructivism Constructivists contemporary context Cubism Dada Dadaists Delaunay Demoiselles Derain Doesburg drawing Duchamp early elements Ernst exhibition expression Fauves Fauvism figure forms function futurist Gallery Gerrit Thomas Gris idea illustration images influence involved Kandinsky Kinetic Art Kooning Kupka Leger light Lissitzky Malevich Manifesto material Matisse Matisse's means Miro Modern Art Mondrian Motherwell move Museum of Modern Newman objects Oil on canvas Orphism painters painting Paris photo Museum Picabia Picasso pictorial picture planes Pollock Pop Art pure Purist Rietveld Robert Rothko sculpture seems sense space spectator Stijl structure studio style Suprematism suprematist surface Surrealism surrealist synthetic Synthetic Cubism technique Theo Theo van Doesburg tion tradition vertical visual Vlaminck Vorticists wrote York
Bibliografische gegevens
| Titel | Concepts of Modern Art Icon Editions |
| Redacteur | Nikos Stangos |
| Bijdrager | Nikos Stangos |
| Editie | 2, geïllustreerd |
| Uitgever | Harper & Row, 1981 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 17 nov 2009 |
| ISBN | 0064301044, 9780064301046 |
| Lengte | 384 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |