Concepts of Modern ArtNikos Stangos Harper & Row, 1981 - 384 pagina's No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
Vanuit het boek
Resultaten 1-3 van 91
Pagina 102
... art forms , were not unique but had never been presented so vehemently . Moreover , here was an art movement that put idea before style , thus challenging not only traditional artistic values but also the aesthetic ambitions of most ...
... art forms , were not unique but had never been presented so vehemently . Moreover , here was an art movement that put idea before style , thus challenging not only traditional artistic values but also the aesthetic ambitions of most ...
Pagina 223
... movement without involving actual movement ( Op Art ) ; works which involve actual , though two dimensional movement - moving reliefs and films - with or without an illusion of movement in space ; and finally static representations of ...
... movement without involving actual movement ( Op Art ) ; works which involve actual , though two dimensional movement - moving reliefs and films - with or without an illusion of movement in space ; and finally static representations of ...
Pagina 242
... Art . The Groupe de Recherche d'Art Visuel from Paris work not only with mechanical movement , but with the illusion of movement as well . The classical example of the use of both types of movement is Duchamp's rotoreliefs of 1935 ...
... Art . The Groupe de Recherche d'Art Visuel from Paris work not only with mechanical movement , but with the illusion of movement as well . The classical example of the use of both types of movement is Duchamp's rotoreliefs of 1935 ...
Inhoudsopgave
Preface Nikos Stangos | 10 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
11 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abstract art Abstract Expressionism Abstract Expressionists aesthetic American André André Breton Apollinaire architecture art movement artists automatism become Blaue Reiter Boccioni Braque Breton catalogue Cézanne collage colour composition Conceptual Art concerned Constructivism Constructivists contemporary critics Cubism Dada Dadaists Delaunay Demoiselles Derain Doesburg drawing Duchamp early elements Ernst exhibition expression Fauves Fauvism figure forms function futurist Gabo Gerrit Thomas Gris idea illustration images influence involved Kandinsky Kinetic Art Kooning Kupka Léger light Lissitzky London Malevich Manifesto Matisse means Miro Modern Art Mondrian Motherwell move Museum of Modern Newman objects Oil on canvas Orphism Ozenfant and Jeanneret painters painting Paris photo Museum Picabia Picasso pictorial picture planes Pollock Pop Art pure Purist Rietveld Robert Rothko Salon sculpture seems sense space spectator Stijl structure Studio style Suprematism suprematist surface Surrealism surrealist synthetic Tate Gallery technique Theo Theo van Doesburg tion tradition vertical visual Vlaminck wrote York