Concepts of Modern ArtNikos Stangos Harper & Row, 1981 - 384 pagina's No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
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Pagina 115
... drawing and letting the pieces fall to form a new pattern ; he was beginning to let chance enter his compositions ( see note 26 ) , and at the same time was producing spontaneousfree - flowing ink drawings that have much in common with ...
... drawing and letting the pieces fall to form a new pattern ; he was beginning to let chance enter his compositions ( see note 26 ) , and at the same time was producing spontaneousfree - flowing ink drawings that have much in common with ...
Pagina 186
... drawing / painting dichotomy , the scale of cubist painting ultimately favoured drawing . ( Perhaps its large scale was one reason why the Demoiselles d'Avignon could never be ' finished'.35 ) De Kooning's enlargement of the scale of ...
... drawing / painting dichotomy , the scale of cubist painting ultimately favoured drawing . ( Perhaps its large scale was one reason why the Demoiselles d'Avignon could never be ' finished'.35 ) De Kooning's enlargement of the scale of ...
Pagina 370
... drawing , 1915-16 . Pen , ink and watercolour on paper . ( photo courtesy of Alfred H. Barr Jr. ) 91. Tatlin , Vladimir Monument to the Third International ( drawing ) , c . 1919 . ( photo A. Scharf ) 92. Lissitzky , Eliezer Markowitsch ...
... drawing , 1915-16 . Pen , ink and watercolour on paper . ( photo courtesy of Alfred H. Barr Jr. ) 91. Tatlin , Vladimir Monument to the Third International ( drawing ) , c . 1919 . ( photo A. Scharf ) 92. Lissitzky , Eliezer Markowitsch ...
Inhoudsopgave
Preface Nikos Stangos | 10 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
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