Concepts of Modern ArtNikos Stangos Harper & Row, 1981 - 384 pagina's No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
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Pagina 11
... painters working in Paris . Yet , of all twentieth - century art movements , this was the most transient and possibly the least definable . Van Dongen , a member of this loosely defined group denied the existence of ' any kind of ...
... painters working in Paris . Yet , of all twentieth - century art movements , this was the most transient and possibly the least definable . Van Dongen , a member of this loosely defined group denied the existence of ' any kind of ...
Pagina 18
... painter . Signac laid his seal of approval by purchasing the painting for himself and trans- porting it back to St Tropez . Naturally Derain was among the younger painters who looked to Matisse to lead the way , and the following summer ...
... painter . Signac laid his seal of approval by purchasing the painting for himself and trans- porting it back to St Tropez . Naturally Derain was among the younger painters who looked to Matisse to lead the way , and the following summer ...
Pagina 175
... painters were by and large attracted to a Jungian rather than a Freudian view of ' unconscious ' , ' subconscious ' or ' preconscious ' imagery , 12 it was not impossible for them to reconcile an interest in techniques of spontaneity ...
... painters were by and large attracted to a Jungian rather than a Freudian view of ' unconscious ' , ' subconscious ' or ' preconscious ' imagery , 12 it was not impossible for them to reconcile an interest in techniques of spontaneity ...
Inhoudsopgave
Preface Nikos Stangos | 10 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
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abstract art Abstract Expressionism Abstract Expressionists aesthetic American André André Breton Apollinaire architecture art movement artists automatism become Blaue Reiter Boccioni Braque Breton catalogue Cézanne collage colour composition Conceptual Art concerned Constructivism Constructivists contemporary critics Cubism Dada Dadaists Delaunay Demoiselles Derain Doesburg drawing Duchamp early elements Ernst exhibition expression Fauves Fauvism figure forms function futurist Gabo Gerrit Thomas Gris idea illustration images influence involved Kandinsky Kinetic Art Kooning Kupka Léger light Lissitzky London Malevich Manifesto Matisse means Miro Modern Art Mondrian Motherwell move Museum of Modern Newman objects Oil on canvas Orphism Ozenfant and Jeanneret painters painting Paris photo Museum Picabia Picasso pictorial picture planes Pollock Pop Art pure Purist Rietveld Robert Rothko Salon sculpture seems sense space spectator Stijl structure Studio style Suprematism suprematist surface Surrealism surrealist synthetic Tate Gallery technique Theo Theo van Doesburg tion tradition vertical visual Vlaminck wrote York