Concepts of Modern ArtNikos Stangos Harper & Row, 1981 - 384 pagina's No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
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Pagina 178
... painting . As the ' pace ' of the painting accelerated – as he got more fully ' into the painting ' - Pollock seems to have found the actual procedure of paint application increasingly expressive ; not a means of depicting , but the ...
... painting . As the ' pace ' of the painting accelerated – as he got more fully ' into the painting ' - Pollock seems to have found the actual procedure of paint application increasingly expressive ; not a means of depicting , but the ...
Pagina 186
... painting . - In the drawing / painting dichotomy , the scale of cubist painting ultimately favoured drawing . ( Perhaps its large scale was one reason why the Demoiselles d'Avignon could never be ' finished'.35 ) De Kooning's ...
... painting . - In the drawing / painting dichotomy , the scale of cubist painting ultimately favoured drawing . ( Perhaps its large scale was one reason why the Demoiselles d'Avignon could never be ' finished'.35 ) De Kooning's ...
Pagina 247
... painting . Arranged in rectilinear or cruciform patterns , Stella's stripes were painted with black enamel straight ... painting , i.e. the balanc- ing of the various parts of the painting with and against each other , ' he stated ...
... painting . Arranged in rectilinear or cruciform patterns , Stella's stripes were painted with black enamel straight ... painting , i.e. the balanc- ing of the various parts of the painting with and against each other , ' he stated ...
Inhoudsopgave
Preface Nikos Stangos | 10 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
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