Concepts of Modern ArtNikos Stangos Harper & Row, 1981 - 384 pagina's No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
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Pagina 178
... seems to have found the actual procedure of paint application increasingly expressive ; not a means of depicting , but the actual means to mimetic life , within the painting , of the significance which the depicted form was to have ...
... seems to have found the actual procedure of paint application increasingly expressive ; not a means of depicting , but the actual means to mimetic life , within the painting , of the significance which the depicted form was to have ...
Pagina 191
... seems to have felt ill at ease in the forties with the heritage of European art . The possibility of inde- pendence became real for him at the point when he seems to have sensed that a straight line need not evoke a Euclidean , a ' non ...
... seems to have felt ill at ease in the forties with the heritage of European art . The possibility of inde- pendence became real for him at the point when he seems to have sensed that a straight line need not evoke a Euclidean , a ' non ...
Pagina 268
... seems to have ended somewhere around 1974 or 1975 . Today , although some interesting Conceptual activity continues among many of the artists mentioned here , and others , it does not dominate ; rather , it coexists in a terrain densely ...
... seems to have ended somewhere around 1974 or 1975 . Today , although some interesting Conceptual activity continues among many of the artists mentioned here , and others , it does not dominate ; rather , it coexists in a terrain densely ...
Inhoudsopgave
Preface Nikos Stangos | 10 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
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abstract art Abstract Expressionism Abstract Expressionists aesthetic American André André Breton Apollinaire architecture art movement artists automatism become Blaue Reiter Boccioni Braque Breton catalogue Cézanne collage colour composition Conceptual Art concerned Constructivism Constructivists contemporary critics Cubism Dada Dadaists Delaunay Demoiselles Derain Doesburg drawing Duchamp early elements Ernst exhibition expression Fauves Fauvism figure forms function futurist Gabo Gerrit Thomas Gris idea illustration images influence involved Kandinsky Kinetic Art Kooning Kupka Léger light Lissitzky London Malevich Manifesto Matisse means Miro Modern Art Mondrian Motherwell move Museum of Modern Newman objects Oil on canvas Orphism Ozenfant and Jeanneret painters painting Paris photo Museum Picabia Picasso pictorial picture planes Pollock Pop Art pure Purist Rietveld Robert Rothko Salon sculpture seems sense space spectator Stijl structure Studio style Suprematism suprematist surface Surrealism surrealist synthetic Tate Gallery technique Theo Theo van Doesburg tion tradition vertical visual Vlaminck wrote York