Concepts of Modern ArtNikos Stangos Harper & Row, 1981 - 384 pagina's No other book on modern and contemporary art presents in as authoritative and concise a manner the ideas that underlie the diverse and radical developments of the last hundred years. In this new edition, an important essay, "Postmodernism and the Art of Identity", not only brings the story of modern art right up to the present, but also introduces the unexpected development of returning to art the day-to-day meaning it may have lost, through engagement with issues raised in the representation of gender, sexuality, and AIDS. In other essays by some of the most internationally acclaimed writers on art, the extraordinary challenges of twentieth-century art are introduced and discussed with unparalleled lucidity, intelligence, and factual accuracy. |
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Pagina 18
... technique and his paintings became lighter both in colour and in touch . The very small brushstroke the technique demanded , encouraged a more delicate method and soon he was able to suggest air and light by leaving areas of the canvas ...
... technique and his paintings became lighter both in colour and in touch . The very small brushstroke the technique demanded , encouraged a more delicate method and soon he was able to suggest air and light by leaving areas of the canvas ...
Pagina 180
... technique . In the end what is important is not how Pollock painted , but how it was for him to paint that way , i.e. what ends were being served in those moments and by that technique.24 It was certainly no anarchism in the métier ...
... technique . In the end what is important is not how Pollock painted , but how it was for him to paint that way , i.e. what ends were being served in those moments and by that technique.24 It was certainly no anarchism in the métier ...
Pagina 240
... technique was merely a creative approach for painters like Seurat , Signac , Pissarro , and Cross in the 1880s , the technical aspects of Op Art are committed to a now familiar concept in modern painting , where this technique has in ...
... technique was merely a creative approach for painters like Seurat , Signac , Pissarro , and Cross in the 1880s , the technical aspects of Op Art are committed to a now familiar concept in modern painting , where this technique has in ...
Inhoudsopgave
Preface Nikos Stangos | 10 |
Expressionism Norbert Lynton | 30 |
Cubism John Golding | 50 |
Copyright | |
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