Landscape And MemoryKnopf Doubleday Publishing Group, 1995 - 672 pagina's A Time Magazine Best Books of the Year. In Landscape and Memory, award-winning author Simon Schama ranges over continents and centuries to reveal the psychic claims that human beings have made on nature. He tells of the Nazi cult of the primeval German forest; the play of Christian and pagan myth in Bernini's Fountain of the Four Rivers; and the duel between a monumental sculptor and a feminist gadfly on the slopes of Mount Rushmore. The result is a triumphant work of history, naturalism, mythology, and art, as encyclopedic as The Golden Bough and as irresistibly readable as Schama's own Citizens. "A work of great ambition and enormous intellectual scope...consistently provocative and revealing."--New York Times "Extraordinary...a summary cannot convey the riches of this book. It will absorb, instruct, and fascinate."--New York Review of Books |
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Pagina 53
... followed and , as usual in such circumstances , attempts at mediation died between obdurate reaction ( in Moscow ) and revolutionary passion ( in Poland ) . In January 1831 the tsar was formally deposed as king of Poland , an act of ...
... followed and , as usual in such circumstances , attempts at mediation died between obdurate reaction ( in Moscow ) and revolutionary passion ( in Poland ) . In January 1831 the tsar was formally deposed as king of Poland , an act of ...
Pagina 237
... followed , virtually all of which stressed its organic connection with the sacred Urwald . The imperatives of primitive habitat were now decisively replaced by the freedom of German spirituality , the conscious choice of an archi ...
... followed , virtually all of which stressed its organic connection with the sacred Urwald . The imperatives of primitive habitat were now decisively replaced by the freedom of German spirituality , the conscious choice of an archi ...
Pagina 302
... followed his first drawings , Bernini trans- formed his vision of the figures . They no longer followed the conventional reclin- ing pose of the antique figures reproduced in most river - fountain sculptures , but instead responded ...
... followed his first drawings , Bernini trans- formed his vision of the figures . They no longer followed the conventional reclin- ing pose of the antique figures reproduced in most river - fountain sculptures , but instead responded ...
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Aby Warburg Alpine Alps American ancient animals Anselm Kiefer arcadia architecture artist Barlow became beneath Bernini Białowieża bison Borglum British Cambridge Caspar David Friedrich century Chamonix Christian church classical climb color illus cross cult culture death Denecourt Dinocrates eighteenth Empire England English essay father Fontainebleau forest France French garden German Gothic greenwood groves Hermannsdenkmal hills holy hunting Ibid imagined imperial J. M. W. Turner Jews John John Robert Cozens Kiefer king land landscape liberty Lithuanian living London medieval memory Mickiewicz modern Mont Blanc Mount Mount Rushmore mountain myth nature Nile obelisk original Osiris pagan painting Pan Tadeusz Paris park patriotic poet Poland Polish political Ralegh Ramond Renaissance river rock Roman Rome royal Ruskin sacred scenery seemed symbol Tacitus Tadeusz temple Thames Thomas thought timber tion tradition trans trees turned village Warburg wild wilderness William woodland woods York Yosemite