Rembrandt: The Painter at WorkUniversity of California Press, 2000 - 340 pagina's Rembrandt's intriguing painting technique has stirred the imagination of art lovers during his lifetime and ever since. In this book, Rembrandt's pictorial intentions and the variety of materials and techniques he applied to create his fascinating effects are unraveled in depth. At the same time, this "archaeology"of Rembrandt's paintings yields information on many other levels. In art-historical research, the work of art as a material object is used increasingly as an important source of information about the painting itself, as well as about historic studio practice in general. The range from practical workshop devices to aesthetic and art-theoretical matters combined in this book offers a view of Rembrandt's daily practice and artistic considerations, while simultaneously providing a more three-dimensional image of the historical artist. |
Inhoudsopgave
48 | 6 |
II | 13 |
898 | 68 |
IV | 75 |
2535 | 96 |
The Search for Rembrandts | 225 |
Rembrandts Intentions with Colour | 251 |
The Aging of Pigments | 257 |
148 | 265 |
154 | 272 |
179 | 298 |
| 321 | |
| 326 | |
| 337 | |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
Amsterdam appear applied apprentice Arnold Houbraken artist beneath fig beneath left fig beneath right fig Berlin binding medium booklet Borch brandt brush canvas century chalk Chapter colour composition cusping dark dead-colour depicted Detail of fig discussed Dutch edges erasable etching fact frame Gerard Gerard de Lairesse glazes ground hand Hendrik Goltzius History Painting Houbraken ideas impasto imprimatura instance Jan Lievens Jewish Bride Jozef Israëls Lairesse Landscape layer lead white Leiden Lievens light Linseed oil London Mander materials metalpoint method monochrome Museum National Gallery Night Watch original painter palette panels paper passage pentimento pictorial picture piece Pieter Lastman pigments Portrait prepared vellum priming radiographs Rembrandt Rembrandt's paintings Rijksmuseum Saskia seen Self-Portrait seventeenth seventeenth-century silverpoint sketch strainer stretcher strip width tafelet tafeletten technique Titian tonal tone traces underpainting varnish verso visible warp weave weft workshop yellow young
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