The Nineteenth Century and After, Volume 147Leonard Scott Publishing Company, 1950 |
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Pagina 65
... nature as reflected in the history of landscape painting , is conveyed , first , by a consideration of the four ways in which man has attempted to convert the complexity of natural appearances into the unity of an idea . The four modes ...
... nature as reflected in the history of landscape painting , is conveyed , first , by a consideration of the four ways in which man has attempted to convert the complexity of natural appearances into the unity of an idea . The four modes ...
Pagina 371
... nature . ' Nor is he afraid to admit the relevance of classical literature and , later , of Wordsworth . It will be seen at once that he does not take an exclusively æsthetic point of view . Sir Kenneth thinks the enormous expansion and ...
... nature . ' Nor is he afraid to admit the relevance of classical literature and , later , of Wordsworth . It will be seen at once that he does not take an exclusively æsthetic point of view . Sir Kenneth thinks the enormous expansion and ...
Pagina 372
... nature is the point that is always being bungled . Sir Kenneth says little about Dutch painting and still less about the French eighteenth century , but he writes with understanding and sympathy for Constable in spite of a rap over the ...
... nature is the point that is always being bungled . Sir Kenneth says little about Dutch painting and still less about the French eighteenth century , but he writes with understanding and sympathy for Constable in spite of a rap over the ...
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