A New Mythos: The Novel of the Artist as Heroine, 1877-1977University Microfilms, 1979 - 200 pagina's |
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Pagina 28
... darkness . Rather than resolve these polarities , Richardson revolves them , keeping them in suspen- sion to emphasize life's fullness rather than its directness . Criticizing the method and describing the difficulty of establishing ...
... darkness . Rather than resolve these polarities , Richardson revolves them , keeping them in suspen- sion to emphasize life's fullness rather than its directness . Criticizing the method and describing the difficulty of establishing ...
Pagina 119
... darkness that yet might prove to be the reality for which she was bound , she drew back and back and caught a glimpse , through an opening inward eye , of a gap in a low hedge , between two dewy lawns , through which she could see the ...
... darkness that yet might prove to be the reality for which she was bound , she drew back and back and caught a glimpse , through an opening inward eye , of a gap in a low hedge , between two dewy lawns , through which she could see the ...
Pagina 129
... darkness , lying still , blinded to concrete reality , she equates God and her own will and thereby justifies her writing , which she and her mother considered to be willful . She becomes both Jehovah and the Mother Mary ; the child she ...
... darkness , lying still , blinded to concrete reality , she equates God and her own will and thereby justifies her writing , which she and her mother considered to be willful . She becomes both Jehovah and the Mother Mary ; the child she ...
Inhoudsopgave
FAUST AND THE ARTIST AS HEROINE | 11 |
DEMETERPERSEPHONE AND THE ARTIST | 40 |
A Life | 50 |
Copyright | |
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accept Adrienne Rich Alabama ambivalence Anaïs Nin Anna approval artist as heroine Avis baby Beatrix become believes bell jar body child conflict create creative death Demeter Demeter/Persephone depicts Despite dream Elizabeth Janeway emotions escape Esther Eternal experience explains fantasy father Faust fear feels female artist female writer feminine fiction flight girl give birth Goethe Golden Notebook happy hero heroine's Hilary human identify imagine interior Isadora ivory tower Joan journey Künstlerroman Lady Oracle Lily lives lover maiden Margaret Atwood marriage Mary masculine Miriam monster mother and daughter motherhood myth mythic images mythic pattern mythos narrator nature never novel nurturance Olivier Orlando painting patriarchal Persephone person Phyllis Chesler play Ramsay rape realizes rebirth reject relationship role Sacred Fount separate sexual identity society Stevens suggests Susan Brownmiller Thea things tion tradition trap Virginia Woolf wants Whereas woman womanhood womanly women writing York