What is Surrealism?Haskell House Publishers, 1974 - 90 pagina's |
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Pagina 37
... beauty , the beauty " envisaged exclusively for passionate ends " . I acknowledge without the least embarrassment my profound insensibility when faced by natural spectacles and works of art that do not immediately produce in me a state ...
... beauty , the beauty " envisaged exclusively for passionate ends " . I acknowledge without the least embarrassment my profound insensibility when faced by natural spectacles and works of art that do not immediately produce in me a state ...
Pagina 39
... beauty that should be served in our time , would lose its whole meaning for me if it were imagined as being in movement instead of in the exact ( 2 expiration of this movement . In my opinion , there can be no beauty - convulsive beauty ...
... beauty that should be served in our time , would lose its whole meaning for me if it were imagined as being in movement instead of in the exact ( 2 expiration of this movement . In my opinion , there can be no beauty - convulsive beauty ...
Pagina 42
... beauty , in the deepest sense of the term , must conform , I think it is both necessary and sufficient to add a third in order to do away with all misunderstandings . Such a kind of beauty will only be able to arise from the poignant ...
... beauty , in the deepest sense of the term , must conform , I think it is both necessary and sufficient to add a third in order to do away with all misunderstandings . Such a kind of beauty will only be able to arise from the poignant ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE FIRST DALI EXHIBITION | 27 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI appear Aragon artistic automatic writing beauty becoming beginning believe Braque bring brought capable cause cease conscious consider continue critical cubism Dali Dali's definition desire dialectical materialism discovery domain dream Eluard emotion epoch everything existence expression exterior world eyes face fact fascism feel GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste Lautréamont and Rimbaud least less longer marvellous material Max Ernst means method mind movement Naville negation never object OSCAR DOMINGUEZ ourselves paranoiac particular pass Paul Eluard perfect perhaps Picasso plane poetic poetry possible present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social spite Surrealism and Painting surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara whole window word surrealism