What is Surrealism?Haskell House Publishers, 1974 - 90 pagina's |
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Pagina 38
... course of the first visit that I paid him when I was seven- teen , insisting upon my telling him my reasons for devoting myself to poetry , and obtaining from me a reply that al- ready bore this interpretation : I only aspired , I told ...
... course of the first visit that I paid him when I was seven- teen , insisting upon my telling him my reasons for devoting myself to poetry , and obtaining from me a reply that al- ready bore this interpretation : I only aspired , I told ...
Pagina 59
... course difficult in these cases to appreciate at their júst value the various elements in the result obtained ; one may even say that it is entirely impossible to appreciate them at a first reading . To you who may be writing them ...
... course difficult in these cases to appreciate at their júst value the various elements in the result obtained ; one may even say that it is entirely impossible to appreciate them at a first reading . To you who may be writing them ...
Pagina 77
... course of time . This has been , as it happens , nothing less than a rally- ing back to principles : " It is , as I was beginning to say above , regrettable that more systematic and sustained efforts , such as surrealism has constantly ...
... course of time . This has been , as it happens , nothing less than a rally- ing back to principles : " It is , as I was beginning to say above , regrettable that more systematic and sustained efforts , such as surrealism has constantly ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE FIRST DALI EXHIBITION | 27 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI appear Aragon artistic automatic writing beauty becoming beginning believe Braque bring brought capable cause cease conscious consider continue critical cubism Dali Dali's definition desire dialectical materialism discovery domain dream Eluard emotion epoch everything existence expression exterior world eyes face fact fascism feel GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste Lautréamont and Rimbaud least less longer marvellous material Max Ernst means method mind movement Naville negation never object OSCAR DOMINGUEZ ourselves paranoiac particular pass Paul Eluard perfect perhaps Picasso plane poetic poetry possible present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social spite Surrealism and Painting surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara whole window word surrealism