What is Surrealism?Haskell House Publishers, 1974 - 90 pagina's |
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Pagina 11
... , why have I to stare this person in the face for so long , of what enduring temptation am I the object ? But apparently it is a man who is making this proposition ヤ to me ! I do not refuse to follow I I Surrealism and Painting.
... , why have I to stare this person in the face for so long , of what enduring temptation am I the object ? But apparently it is a man who is making this proposition ヤ to me ! I do not refuse to follow I I Surrealism and Painting.
Pagina 44
... face them . ” 1868-75 : it is impossible , looking back upon the past , to perceive an epoch so poetically rich , so victorious , so revolutionary and so charged with distant meaning as that which stretches from the separate publication ...
... face them . ” 1868-75 : it is impossible , looking back upon the past , to perceive an epoch so poetically rich , so victorious , so revolutionary and so charged with distant meaning as that which stretches from the separate publication ...
Pagina 47
... face them . ” They are , in fact , always running through the intellectual atmosphere : the problem of their propagation and interpretation remains the same and , as far as we are concerned , remains to be solved . But , paraphrasing ...
... face them . ” They are , in fact , always running through the intellectual atmosphere : the problem of their propagation and interpretation remains the same and , as far as we are concerned , remains to be solved . But , paraphrasing ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE FIRST DALI EXHIBITION | 27 |
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able æsthetic or moral ALBERTO GIACOMETTI appear Aragon artistic automatic writing beauty becoming beginning believe Braque bring brought capable cause cease conscious consider continue critical cubism Dali Dali's definition desire dialectical materialism discovery domain dream Eluard emotion epoch everything existence expression exterior world eyes face fact fascism feel GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste Lautréamont and Rimbaud least less longer marvellous material Max Ernst means method mind movement Naville negation never object OSCAR DOMINGUEZ ourselves paranoiac particular pass Paul Eluard perfect perhaps Picasso plane poetic poetry possible present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social spite Surrealism and Painting surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara whole window word surrealism