What is Surrealism?Haskell House Publishers, 1974 - 90 pagina's |
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Pagina 10
... force of provocation , and God knows whether this is a great provocation , for I cannot understand whither it is tending . What does it mat- ter to me whether trees are green , whether a piano is at this moment " nearer " to me than a ...
... force of provocation , and God knows whether this is a great provocation , for I cannot understand whither it is tending . What does it mat- ter to me whether trees are green , whether a piano is at this moment " nearer " to me than a ...
Pagina 56
... force has neverthe- less been decisive and , by the general consent of present- day critics , has greatly influenced the course of ideas . It may be proper before passing rapidly — as I must - over this period , to apportion by far the ...
... force has neverthe- less been decisive and , by the general consent of present- day critics , has greatly influenced the course of ideas . It may be proper before passing rapidly — as I must - over this period , to apportion by far the ...
Pagina 65
... force . The freedom it possesses is a perfect freedom in the sense that it recognizes no limitations exterior to itself . As it was said on the cover of the first issue of La Révolution Surréaliste , " it will be necessary to draw up a ...
... force . The freedom it possesses is a perfect freedom in the sense that it recognizes no limitations exterior to itself . As it was said on the cover of the first issue of La Révolution Surréaliste , " it will be necessary to draw up a ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE FIRST DALI EXHIBITION | 27 |
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able æsthetic or moral ALBERTO GIACOMETTI appear Aragon artistic automatic writing beauty becoming beginning believe Braque bring brought capable cause cease conscious consider continue critical cubism Dali Dali's definition desire dialectical materialism discovery domain dream Eluard emotion epoch everything existence expression exterior world eyes face fact fascism feel GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste Lautréamont and Rimbaud least less longer marvellous material Max Ernst means method mind movement Naville negation never object OSCAR DOMINGUEZ ourselves paranoiac particular pass Paul Eluard perfect perhaps Picasso plane poetic poetry possible present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social spite Surrealism and Painting surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara whole window word surrealism