What is Surrealism?Haskell House Publishers, 1974 - 90 pagina's |
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Pagina 44
... historical background : the coming and the im- mediate results of the war of 1870. Other and analogous cataclysms could not have failed to rise out of that military and social cataclysm whose final episode was to be the 44 WHAT IS ...
... historical background : the coming and the im- mediate results of the war of 1870. Other and analogous cataclysms could not have failed to rise out of that military and social cataclysm whose final episode was to be the 44 WHAT IS ...
Pagina 52
... historic development of modern thought . It came normally to Marx through Hegel , just as it came normally to Hegel through Berkeley and Hume . These latter influences offer a certain particularity in that , contrary to certain poetic ...
... historic development of modern thought . It came normally to Marx through Hegel , just as it came normally to Hegel through Berkeley and Hume . These latter influences offer a certain particularity in that , contrary to certain poetic ...
Pagina 71
... historic eclipse of the move- ment will be decided . " Intellectually it was and still is a question of exposing by every available means , and to learn at all costs to iden- tify , the factitious character of the conflicts ...
... historic eclipse of the move- ment will be decided . " Intellectually it was and still is a question of exposing by every available means , and to learn at all costs to iden- tify , the factitious character of the conflicts ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE FIRST DALI EXHIBITION | 27 |
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able æsthetic or moral ALBERTO GIACOMETTI appear Aragon artistic automatic writing beauty becoming beginning believe Braque bring brought capable cause cease conscious consider continue critical cubism Dali Dali's definition desire dialectical materialism discovery domain dream Eluard emotion epoch everything existence expression exterior world eyes face fact fascism feel GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste Lautréamont and Rimbaud least less longer marvellous material Max Ernst means method mind movement Naville negation never object OSCAR DOMINGUEZ ourselves paranoiac particular pass Paul Eluard perfect perhaps Picasso plane poetic poetry possible present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social spite Surrealism and Painting surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara whole window word surrealism