What is Surrealism?Haskell House Publishers, 1974 - 90 pagina's |
Vanuit het boek
Resultaten 1-3 van 3
Pagina 10
... origins of which I do not feel it necessary to linger here . The most I can do is to consider the present state of this language from the same angle as that from which I should consider the present state of poetic language . It seems to ...
... origins of which I do not feel it necessary to linger here . The most I can do is to consider the present state of this language from the same angle as that from which I should consider the present state of poetic language . It seems to ...
Pagina 50
... origins ( 1919 , year of the publica- tion of the Champs Magnétiques ) until today : a purely intui- tive epoch , and a reasoning epoch . The first can summarily be characterized by the belief expressed during this time in the all ...
... origins ( 1919 , year of the publica- tion of the Champs Magnétiques ) until today : a purely intui- tive epoch , and a reasoning epoch . The first can summarily be characterized by the belief expressed during this time in the all ...
Pagina 78
... origin of the voice which it is open to each one of us to hear , and which in the most sin- gular fashion talks to us of something different from what we believe we are thinking , sometimes becoming solemn when we are most light ...
... origin of the voice which it is open to each one of us to hear , and which in the most sin- gular fashion talks to us of something different from what we believe we are thinking , sometimes becoming solemn when we are most light ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE FIRST DALI EXHIBITION | 27 |
3 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI appear Aragon artistic automatic writing beauty becoming beginning believe Braque bring brought capable cause cease conscious consider continue critical cubism Dali Dali's definition desire dialectical materialism discovery domain dream Eluard emotion epoch everything existence expression exterior world eyes face fact fascism feel GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste Lautréamont and Rimbaud least less longer marvellous material Max Ernst means method mind movement Naville negation never object OSCAR DOMINGUEZ ourselves paranoiac particular pass Paul Eluard perfect perhaps Picasso plane poetic poetry possible present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social spite Surrealism and Painting surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara whole window word surrealism