What is Surrealism? |
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Pagina 50
... of this entirely idealist disposition and ( for voluntary reasons of simplification
and amplification destined to influence in ... control exercised by the reason but
also disengaged from “ all æsthetic or moral preoccupations 50 What is
Surrealism ...
... of this entirely idealist disposition and ( for voluntary reasons of simplification
and amplification destined to influence in ... control exercised by the reason but
also disengaged from “ all æsthetic or moral preoccupations 50 What is
Surrealism ...
Pagina 55
They cannot , for the simple reason that since they separated from us they have
been incapable of achieving a single concerted action that had any definite form
of its own , and they have confined themselves , instead , to a reaction against ...
They cannot , for the simple reason that since they separated from us they have
been incapable of achieving a single concerted action that had any definite form
of its own , and they have confined themselves , instead , to a reaction against ...
Pagina 70
ceased to consider both the most suitable and the most likely to be brought to
perfection ; there is no reason why we should renounce it . The other problem we
are faced with is that of the social action we should pursue . We consider that this
...
ceased to consider both the most suitable and the most likely to be brought to
perfection ; there is no reason why we should renounce it . The other problem we
are faced with is that of the social action we should pursue . We consider that this
...
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able activity allow already appear artistic attempt attention automatic beauty becoming beginning believe bring brought called cause cease certain coming complete consider continue course critical definition desire discovery draw dream elements emotion essentially everything existence experiment expression eyes face fact feel follow forced future give given hand historic hope human idea images immediate impossible intellectual interest kind lack least less limits live longer looking Manifesto marvellous material matter means method mind moral movement never object offer once origin ourselves painting particular pass perfect perhaps Picasso plane play poetic poetry possible present problem question reality reason recently remains rose seems seen sense sentence simply social speaking surrealism surrealist taken things thought tion turn whole writing