Shakespeare's TragediesRoutledge, 11 okt 2013 - 280 pagina's First published in 1951. G B Harrison here recognizes that Shakespeare's tragedies were intended for performance in a theatre and that the playwright's conspicuous gift among his contemporaries was a sympathy for joy and sorrow, pity and terror, and right and wrong of his people. The plays covered are: Titus Andronicus, Romeo and Juliet, Julius Caesar, Hamlet, Troilus and Cressida, Othello, King Lear, Macbeth, Antony and Cleopatra, Coriolanus and Timon of Athens. |
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Pagina 17
... unfortunately , no single word for the highest forms of tragedy , and I propose , therefore , to use the term deep tragedy for those kinds and to keep tragedy by itself for plays with merely unhappy endings . 17 SHAKESPEAREAN TRAGEDY.
... unfortunately , no single word for the highest forms of tragedy , and I propose , therefore , to use the term deep tragedy for those kinds and to keep tragedy by itself for plays with merely unhappy endings . 17 SHAKESPEAREAN TRAGEDY.
Pagina 18
G B Harrison. tragedy by itself for plays with merely unhappy endings . The difficulty , as usual , will be to make any line of distinction . In attempting , therefore , to analyse deep tragedy , which we defined as that which caused a ...
G B Harrison. tragedy by itself for plays with merely unhappy endings . The difficulty , as usual , will be to make any line of distinction . In attempting , therefore , to analyse deep tragedy , which we defined as that which caused a ...
Pagina 20
... tragedy is superbly constructed , it will not reach down to the depths . Shakespeare's craftmanship has not ... deep tragedy , because the event which it dramatizes is not in itself deeply tragic . A chief reason why there are ...
... tragedy is superbly constructed , it will not reach down to the depths . Shakespeare's craftmanship has not ... deep tragedy , because the event which it dramatizes is not in itself deeply tragic . A chief reason why there are ...
Pagina 21
... deep tragedy are something different from domestic or personal sorrow , for in deep tragedy everything irrelevant is cut out and the essentials are concentrated . The story of Oedipus , however told , is terrible and most moving . In ...
... deep tragedy are something different from domestic or personal sorrow , for in deep tragedy everything irrelevant is cut out and the essentials are concentrated . The story of Oedipus , however told , is terrible and most moving . In ...
Pagina 44
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Inhoudsopgave
| 9 | |
2 Titus Andronicus | 30 |
3 Romeo and Juliet | 47 |
4 Julius Caesar | 65 |
5 Hamlet | 88 |
6 Troylus and Cressida | 111 |
7 Othello | 131 |
8 King Lear | 158 |
9 Macbeth | 184 |
10 Antony and Cleopatra | 203 |
11 Coriolanus | 227 |
12 Timon of Athens | 253 |
Epilogue | 271 |
Index | 275 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
Aaron Achilles Ajax Alcibiades Antony and Cleopatra Antony's Apemantus audience Aufidius Bassianus begins blood Brabantio Brutus Cassio character Claudius comes Cordelia Coriolanus critics curtains dead death deep tragedy Desdemona drama Edmund Elizabethan Emilia emotions Enobarbus enters episode eyes father feeling follows Friar friends give Gloucester Goneril Greek Hamlet hand hath heart Hector honour husband Iago Iago's inner stage Julius Caesar kill King Lady Capulet Laertes Lavinia Lear Lord Lucius Macbeth main stage Martius Menenius mind moral mother murder nature never night Octavius Othello Pandarus passes Patroclus Plutarch Queen realize Regan replies returns revenge Revenge Play Roderigo Roman Rome Romeo and Juliet Saturninus scene sense Shakespeare Shakespeare's plays soldier soliloquy Spanish Tragedy speak speech stage direction story Tamora thee Thersites thou Timon Titus Andronicus tragic tribunes Troylus and Cressida Tybalt Ulysses upper stage utter vengeance Volumnia wife words young