Shakespeare's TragediesRoutledge, 11 okt 2013 - 280 pagina's First published in 1951. G B Harrison here recognizes that Shakespeare's tragedies were intended for performance in a theatre and that the playwright's conspicuous gift among his contemporaries was a sympathy for joy and sorrow, pity and terror, and right and wrong of his people. The plays covered are: Titus Andronicus, Romeo and Juliet, Julius Caesar, Hamlet, Troilus and Cressida, Othello, King Lear, Macbeth, Antony and Cleopatra, Coriolanus and Timon of Athens. |
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Pagina 17
... utterly stirred and drained that one's whole emotional state and balance are for an appreciable time completely changed - the purgation achieved in private reading is by comparison a very pale form . The experience is exalting and ...
... utterly stirred and drained that one's whole emotional state and balance are for an appreciable time completely changed - the purgation achieved in private reading is by comparison a very pale form . The experience is exalting and ...
Pagina 19
... utterly incredible ways , happen to any one of us ; and this ultimately is why his greatest tragedies are so moving . Super- ficially they are stories of wicked kings , sensual queens , ambitious generals or magnificent princes ...
... utterly incredible ways , happen to any one of us ; and this ultimately is why his greatest tragedies are so moving . Super- ficially they are stories of wicked kings , sensual queens , ambitious generals or magnificent princes ...
Pagina 24
... utterly consistent . So long as the spectator was carried on from moment to moment , it was relatively unimportant that the bridges between the moments were not always too securely built . This problem of time is but one illustration of ...
... utterly consistent . So long as the spectator was carried on from moment to moment , it was relatively unimportant that the bridges between the moments were not always too securely built . This problem of time is but one illustration of ...
Pagina 44
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Pagina 60
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Inhoudsopgave
| 9 | |
2 Titus Andronicus | 30 |
3 Romeo and Juliet | 47 |
4 Julius Caesar | 65 |
5 Hamlet | 88 |
6 Troylus and Cressida | 111 |
7 Othello | 131 |
8 King Lear | 158 |
9 Macbeth | 184 |
10 Antony and Cleopatra | 203 |
11 Coriolanus | 227 |
12 Timon of Athens | 253 |
Epilogue | 271 |
Index | 275 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
Aaron Achilles Ajax Alcibiades Antony and Cleopatra Antony's Apemantus audience Aufidius Bassianus begins blood Brabantio Brutus Cassio character Claudius comes Cordelia Coriolanus critics curtains dead death deep tragedy Desdemona drama Edmund Elizabethan Emilia emotions Enobarbus enters episode eyes father feeling follows Friar friends give Gloucester Goneril Greek Hamlet hand hath heart Hector honour husband Iago Iago's inner stage Julius Caesar kill King Lady Capulet Laertes Lavinia Lear Lord Lucius Macbeth main stage Martius Menenius mind moral mother murder nature never night Octavius Othello Pandarus passes Patroclus Plutarch Queen realize Regan replies returns revenge Revenge Play Roderigo Roman Rome Romeo and Juliet Saturninus scene sense Shakespeare Shakespeare's plays soldier soliloquy Spanish Tragedy speak speech stage direction story Tamora thee Thersites thou Timon Titus Andronicus tragic tribunes Troylus and Cressida Tybalt Ulysses upper stage utter vengeance Volumnia wife words young