Gender and Islam in Indonesian Cinema

Voorkant
Springer, 28 dec. 2016 - 207 pagina's
This book presents a historical overview of the Indonesian film industry, the relationship between censorship and representation, and the rise of Islamic popular culture. It considers scholarship on gender in Indonesian cinema through the lens of power relations. With key themes such as nationalism, women's rights, polygamy, and terrorism which have preoccupied local filmmakers for decades, Indonesia cinema resonates with the socio-political changes and upheavals in Indonesia’s modern history and projects images of the nation through the debates on gender and Islam. The text also sheds light on broader debates and questions about contemporary Islam and gender construction in contemporary Indonesia. Offering cutting edge accounts of the production of Islamic cinema, this new book considers gendered dimensions of Islamic media creation which further enrich the representations of the 'religious' and the 'Islamic' in the everyday lives of Muslims in South East Asia.
 

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Inhoudsopgave

Gender and the Divine Pleasures of the Cinema
1
Dakwah at the Cinema Identifying the Generic Parameters of Islamic Films
30
Visualising Muslim Women and Men A Longue Durťe
63
Gender Islam and the Nation in New Order Islamic Films
97
Empowered Muslim Femininities? Representations of Women in PostNew Order Film Islami
127
Poor Polygamous But Deeply Pious Muslim Masculinities in PostNew Order Film Islami
155
Afterword
181
Bibliography
187
Index
203
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Over de auteur (2016)

Alicia Izharuddin is a Senior Lecturer in Gender Studies at the Faculty of the Arts and Social Sciences, University of Malaya, in Malaysia. She received her PhD in Gender Studies from the School of Oriental and African Studies, University of London, UK, in 2014 and her research focuses on gender and sexuality in Malaysia and Indonesia from a feminist perspective.

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