Poetics: An Essay on PoetrySmith, Elder, and Company, 1969 - 294 pagina's |
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Pagina 85
... romantic dramas ; it lay , or was understood to lie , between the whole of classical art and the whole of romantic art ; and these issues , the lesser and the greater , seemed to be so interwoven , that whichever school of art won the ...
... romantic dramas ; it lay , or was understood to lie , between the whole of classical art and the whole of romantic art ; and these issues , the lesser and the greater , seemed to be so interwoven , that whichever school of art won the ...
Pagina 86
... romantic , beyond the historical , implied a philosophical , distinction . They only implied it however ; for ... romantic art Christian , is a change of words without a stiver of gain . To say that classical art gives expres- sion to ...
... romantic , beyond the historical , implied a philosophical , distinction . They only implied it however ; for ... romantic art Christian , is a change of words without a stiver of gain . To say that classical art gives expres- sion to ...
Pagina 87
... romantic and a classical , there is also a divine poesy . This threefold instead of the two- fold division will make everything straight . For it is a notable circumstance that the controversy between the romantic and classical schools ...
... romantic and a classical , there is also a divine poesy . This threefold instead of the two- fold division will make everything straight . For it is a notable circumstance that the controversy between the romantic and classical schools ...
Inhoudsopgave
The Law of Activity | 18 |
The Law of Unconsciousness | 27 |
The Law of Imagination | 45 |
Copyright | |
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action activity Æschylus Aristotle artist Bacon beautiful belongs blank verse called chiefly Christ Christian classical Clement of Rome commonly comparison couplet critics Divine doctrine doubt drama dramatic art dramatist Dugald Stewart employed endeavours English epic Euripides Euroclydon expression fact faculty faith former Freedom genius give Greek happiness heart heaven Hebrew Homer idea Iliad imagery imagination imitative Immortality instinct Jeremy Collier John Keats kinds of poesy language latter law of poetry least less look lyrical manner means metaphor metre mind modern narrative nature never object perhaps philosopher pleasure plurality poem poet poetic feeling present prose reality reason regard remarkable rhyme romantic seen self-consciousness sense Shakespere shown simile simply Sir Philip Sidney song Sophocles soul speak spirit stanza tell theory things Thomas à Kempis thought tion true truly truth uncon utterance whole words Wordsworth