Herbert Read ReassessedDavid Goodway Liverpool University Press, 1 jan 1998 - 328 pagina's Herbert Read (1893-1968), whose work is assessed in this book, acquired in his lifetime a considerable international reputation as a poet, an anarchist, a philosopher (of aesthetics), an art critic, and an historian of and, above all, a propagandist for modern art and design. He worked for four years after leaving school and then enrolled in the University of Leeds; he also had years of formative experience of service in the Great War. Following this he built up a dual career in literature and the visual arts during the 1920s and early-1930s, and by the late-1930s he was a figure of great cultural authority in Britain. After World War II his influence spread round the globe through a vast output of books and articles and extensive lecturing, especially in the United States. |
Inhoudsopgave
Kieron Winn The Poetry of Herbert Read | 13 |
Hugh Cecil Herbert Read and the Great War | 30 |
John R Doheny Herbert Read as Literary Critic | 46 |
John R Doheny Herbert Reads Use of Sigmund Freud | 70 |
Peter Abbs Herbert Read as Autobiographer | 83 |
The Green Child | 100 |
Georges Seurat Bathers at Asnières | 114 |
Andrew Causey Herbert Read and Contemporary Art | 123 |
David Goodway The Politics of Herbert Read | 177 |
Art Education and the Means | 196 |
I 19181950 | 215 |
Herbert Reads Paradigm first version | 221 |
II 19501968 | 233 |
Herbert Reads diagram of the creative unconscious | 235 |
Reads A Concise History | 248 |
Gustave Courbet Burial at Ornans | 250 |
Reads article in the Listener | 125 |
Spread from Henry Moore | 137 |
Robin Kinross Herbert Read and Design | 145 |
Front of the book jacket of the first edition of Art and Industry | 147 |
Spread from Plan no 6 | 155 |
Word and Object In response | 163 |
Pablo Picasso Les Demoiselles dAvignon | 258 |
Piet Mondrian Composition with Grey Red Yellow and Blue | 265 |
Kevin Davey Herbert Read and Englishness | 270 |
Or the Loss | 287 |
309 | |
Veelvoorkomende woorden en zinsdelen
abstract art aesthetic anarchism anarchist Annals of Innocence architecture Art and Industry Art London artists arts education avant-garde Barbara Hepworth Britain British art Cézanne Concise History consciousness contemporary art Contrary Experience creative Cubism Cult of Sincerity culture David Thistlewood edition Education through Art Eliot England essay essential expression Faber and Faber feeling Forms of Things Freedom Press Freud Gabo George Woodcock German Green Child Henry Moore Hepworth Herbert Read History of Modern human Ibid ideal ideas images Industrial Design Innocence and Experience intellectual Kandinsky Lectures Meaning of Art Modern Art Modern Painting modernist movement nature Nicholson Olivero original Paul Paul Nash Philosophy of Modern Picasso poet Poetry and Anarchism political principle published Read Archive Read's revolutionary romantic romanticism sculpture sense significant social style superrealism Surrealism Surrealist symbolic T. E. Hulme T. S. Eliot theory Things Unknown tion tradition unconscious University Wordsworth Worringer writing
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