Film Histories: An Introduction and Reader

Edinburgh University Press, 2007 - 612 pagina's
A wide-ranging introduction to film history, this anthology covers the history of film from 1895 to the present day. The book is arranged chronologically, and each chapter contains an introduction by the editors on the key developments within the period, followed by a classic piece of historical research about that period. Various types of film history are undertaken in the articles, so that students can become familiar with different types of film historical research. For example, topics include the history of audiences; exhibition; marketing; censorship; aesthetic history; political history; and historical reception studies. The book is therefore designed to provide students with a narrative history spine while simultaneously introducing them to different approaches to the study and research of film history. Concentrating on the plurality of the ‘historical turn’ in film studies, this book demonstrates that film history is, and should be, about more than simply key films, directors and movements.Key features*Contains a preface that explains the structure and organisation of the book*Chapter introductions provide a chronological sense of international developments*Includes key articles of film history that illustrate differences in methodological approach, and which are devoted both to America and to a wide range of non-American contexts

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The Emergence of Cinema
Organising Early Film Audiences
Nationalism Trade and Market Domination

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Over de auteur (2007)

PAUL GRAINGE is Lecturer in Film Studies at the University of Nottingham. His work on memory and contemporary American media has appeared in Cultural Studies, The Journal of American Studies, American Studies, The International Journal of Cultural Studies, and The Journal of American and Comparative Cultures. He is the editor of Memory and Popular Film (2003).

Mark Jancovich is Professor of Film and Television Studies at the University of East Anglia.

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