The Complete Works of William Shakespeare: With a Life of the Poet, Explanatory Foot-notes, Critical Notes, and a Glossarial Index, Volume 1Ginn, Heath, & Company, 1881 |
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Pagina v
... play . Of course the purpose of this double annotation is , to suit the work , as far as practicable , to the uses both of the general reader and of the special student . Now , whatever of explanation general readers may need , they ...
... play . Of course the purpose of this double annotation is , to suit the work , as far as practicable , to the uses both of the general reader and of the special student . Now , whatever of explanation general readers may need , they ...
Pagina xii
... plays designed for common use , wherein the sunlight of his poetry is so muffled and strangled by a thick haze of minute , technical , and dictionary learning , that common eyes can hardly catch any fresh and clear beams of it . Small ...
... plays designed for common use , wherein the sunlight of his poetry is so muffled and strangled by a thick haze of minute , technical , and dictionary learning , that common eyes can hardly catch any fresh and clear beams of it . Small ...
Pagina xvii
... plays themselves . Of the thirty - eight plays included in this edition , sixteen , or , if we count - in the originals of the Second and Third Parts of King Henry the Sixth , eighteen , were published , severally and successively , in ...
... plays themselves . Of the thirty - eight plays included in this edition , sixteen , or , if we count - in the originals of the Second and Third Parts of King Henry the Sixth , eighteen , were published , severally and successively , in ...
Pagina xviii
... plays then first published must have been printed either from the author's own manu- scripts , or else from play - house transcripts of them . Doubt- less these were made by different hands , sometimes with reasonable care , sometimes ...
... plays then first published must have been printed either from the author's own manu- scripts , or else from play - house transcripts of them . Doubt- less these were made by different hands , sometimes with reasonable care , sometimes ...
Pagina xix
... plays continued to be reprinted , from time to time , in quarto form . But as these are seldom of any use towards ascertaining or helping the text , it seems not worth the while to specify them in detail . Probably the most valu- able ...
... plays continued to be reprinted , from time to time , in quarto form . But as these are seldom of any use towards ascertaining or helping the text , it seems not worth the while to specify them in detail . Probably the most valu- able ...
Overige edities - Alles bekijken
The Complete Works of William Shakespeare: With a Life of the Poet ..., Volume 1 William Shakespeare Volledige weergave - 1881 |
Veelvoorkomende woorden en zinsdelen
Ęgeon Antipholus Ben Jonson chain Collier's second folio common correction daughter death didst doth Duke Dyce edition Eglamour Enter Ephesus Exeunt Exit fair father fool gentle gentlemen Gentlemen of Verona give grace hair hand hath hear Henry Condell honour husband instance Item John Heminge John Shakespeare Julia Julius Cęsar King labour lady Launce letter live look lord Lucetta LUCIANA Madam Marry master means merry mind mistress old copies old text phrase plays Poet Poet's pray printed probably quibble SCENE seems sense servant Shake Silvia Sir Proteus Sir Thurio sister Snitterfield speak Speed Stratford Stratford-upon-Avon sure Susanna Hall sweet Syracuse tell thee thing thou art thou hast thought thyself Twelfth Night unto Valentine Venus and Adonis verse villain wife William Shakespeare word
Populaire passages
Pagina 48 - What things have we seen Done at the Mermaid! Heard words that have been So nimble and so full of subtle flame As if that every one from whence they came Had meant to put his whole wit in a jest, And had resolved to live a fool the rest Of his dull life.
Pagina 34 - As Plautus and Seneca are accounted the best for Comedy and Tragedy among the Latins, so Shakespeare among the English is the most excellent in both kinds for the stage...
Pagina 49 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was (indeed) honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions...
Pagina 37 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Pagina 30 - The warrant I have of your Honourable disposition, not the worth of my untutored lines, makes it assured of acceptance. What I have done is yours, what I have to do is yours, being part in all I have devoted yours.
Pagina 37 - tis true I have gone here and there And made myself a motley to the view, Gored mine own thoughts, sold cheap what is most dear, Made old offences of affections new.
Pagina 68 - The applause! delight! the wonder of our stage! My Shakespeare rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read, and praise to give.
Pagina 69 - And joyed to wear the dressing of his lines ! Which were so richly spun, and woven so fit, As, since, she will vouchsafe no other wit. The merry Greek, tart Aristophanes, Neat Terence, witty Plautus, now not please ; But antiquated and deserted lie, As they were not of nature's family. Yet must I not give nature all ; thy art, My gentle SHAKESPEARE, must enjoy a part.
Pagina 31 - Sweet Swan of Avon! what a sight it were To see thee in our water yet appear, And make those flights upon the banks of Thames That so did take Eliza and our James!
Pagina 73 - For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow, and that each heart Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took ; Then thou, our fancy of itself bereaving, Dost make us marble, with too much conceiving ; And, so sepulchred, in such pomp dost lie, That kings, for such a tomb, would wish to die.