Hawthorne and the Limits of Intellect

achieve aesthetic ambivalent analysis analytical apparently artist aware Bamborough beauty characters Chillingworth common sense concern conscious critics demon described Devil in Manuscript Dimmesdale Dimmesdale's Donatello effect Emerson emotional emphasized English Notebooks Ethan Brand evident evil eyes faculty psychology fancy feeling Fogle Goodman Brown Hall of Fantasy Hawthorne's attitude Hawthorne's fiction Hawthorne's psychology Hawthorne's seekers Hawthorne's view Head and Heart Hester high balance Hilda human icy demon idea ideal imagination imbalance intellect intuitive judgment Julian Hawthorne Kenyon knowledge language least light man's Marble Faun mind Miriam moral mystery Nathaniel Hawthorne nature negative never Oberon obscurity Old Home painting passage passions perception perhaps poet poetry portrait possessed powers Prophetic Pictures Puritan Pyncheon Rappaccini Rappaccini's Daughter rational reason response Romantic Romanticism Scarlet Letter sculptor sensibility similarly soul spirit Stone Face story suggests sympathy thorne thorne's thought tion tive Transcendental truth Warland words writes York Young Goodman Brown