SurrealismTate Gallery Publishing, 1997 - 80 pagina's Surrealism was one of the most interesting and influential at movements of the 20th century. A collective adventure begun by a small group of intellectuals in Paris in the early 1920s, amongst them Max Ernst, Rene Magritte and Salvador Dali, its influence was felt through the rest of continental Europe and in Britain, the Americas, Mexico and Japan. |
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... frottage ' . It could be adapted for painting by laying a thickly painted canvas over a similar surface while the paint was still wet , and scraping off layers of paint . Paint clung to the indentations of the material underneath so ...
... frottage ' . It could be adapted for painting by laying a thickly painted canvas over a similar surface while the paint was still wet , and scraping off layers of paint . Paint clung to the indentations of the material underneath so ...
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... frottage , would suggest a direction for the finished work to take . Collaboration was a further way to produce images which defied the rational apparatus of the artist's individual , conscious mind . Dada artists had already ...
... frottage , would suggest a direction for the finished work to take . Collaboration was a further way to produce images which defied the rational apparatus of the artist's individual , conscious mind . Dada artists had already ...
Pagina
... with other elements ( Breton in Hans Richter , Dada : Art and Anti Art ) . 18 Joan Miró Painting 1927 Tempera and oil on canvas 97.2 × 130 ( 38 % × 51 % ) Tate Gallery For Ernst , collage was akin to frottage in that. 26.
... with other elements ( Breton in Hans Richter , Dada : Art and Anti Art ) . 18 Joan Miró Painting 1927 Tempera and oil on canvas 97.2 × 130 ( 38 % × 51 % ) Tate Gallery For Ernst , collage was akin to frottage in that. 26.
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