Distinguishing Jonson: Imitation, Rivalry, and the Direction of a Dramatic Career

ability actions activities apparent argued Aristophanes artistic attempt attention attitudes audience Bartholomew Fair become begins called career Catiline Chapter characters Cicero claim classical comedy common competition complex concern concludes contemporaries course create described desire difference discussion distinctions distinguish drama earlier emphasis emulation endeavor English epigram equality establish example fact Fair finally follow former friends historical Horace Horace's human imitation important interest interpretation involved Jonson kind later less lines literary meaning nature notes once opening original passage past perhaps person play poem Poetaster poets possible praise present provides readers relation relationship response result rival role Roman Satires scene seeks seems Sejanus sense similar simply Simpson situation society spectators stage stand successful suggests superiority tells theater things tradition Truewit truth turn understanding Volpone writers