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Pagina 8
After this the feeling of nothingness and the powers of destruction were utmost in
his mind, in his behaviour and, later, in his work. First contact with hallucination:
Measles and powers of destruction. A fever vision: / see before me a panel ...
After this the feeling of nothingness and the powers of destruction were utmost in
his mind, in his behaviour and, later, in his work. First contact with hallucination:
Measles and powers of destruction. A fever vision: / see before me a panel ...
Pagina 11
1925 On the tenth of August in Brittany (in Pornic), M.E. found a process which
rests solely upon the intensification of the mind's powers of irritability. In view of
the characteristics of its technique, he called it frottage [rubbing] and, in his own ...
1925 On the tenth of August in Brittany (in Pornic), M.E. found a process which
rests solely upon the intensification of the mind's powers of irritability. In view of
the characteristics of its technique, he called it frottage [rubbing] and, in his own ...
Pagina 12
It revealed a field of vision limited only by the capacity of irritability of the mind's
powers. [Many of the 'natural history' frottages published as a portfolio the
following year, preface by Arp, Bibl.12. Contributes to the first Surrealist group
exhibition ...
It revealed a field of vision limited only by the capacity of irritability of the mind's
powers. [Many of the 'natural history' frottages published as a portfolio the
following year, preface by Arp, Bibl.12. Contributes to the first Surrealist group
exhibition ...
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Veelvoorkomende woorden en zinsdelen
A.D.Mouradian altered André appearance Arizona arrived artist associations become bibliography birds Breton Bronze catalogue Chicago close collages Collection William Cologne colour d'Art DADA Dated Collection Dated Private Collection Dated The artist Decides discovered Dorothea drawings dream early Editions Eluard example exhibition father figure flowers forest forms friends frottage Gallery Huismes illustrations images imagination Inscribed Introduces invention Landscape later Lohengrin London Longpont-sur Loplop Max Ernst means Meets Modern Art movement Museum of Modern mystery nature Night nightingale Oil on canvas organized Orge original painter painting Paris Pasted Patrick Paul pencil picture plaster poems poets powers produce provoked published references Robert sculpture Sedona Seine-et-Oise shows Study summer surrealist technique tree vision Waldberg water-colour William N.Copley Woman wood York young
Bibliografische gegevens
| Titel | Max Ernst Arts council catalogues |
| Auteurs | Max Ernst, Arts Council of Great Britain |
| Bijdrager | Tate Gallery |
| Editie | 2 |
| Uitgever | Arts Council of Great Britain, 1961 |
| Oorspronkelijk uit | de University of California |
| Gedigitaliseerd | 22 jan 2007 |
| Lengte | 71 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |