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Dryden, his definition of wit centured, N. 62.
Dull fellows, who, N. 43. their inquiries are not
for information but exercise, ibid. Naturally turn
their heads to politics or poetry, ibid.
Dutch more polite than the English in their build-
ings, and monuments of their dead, N. 26.
Dyer, the news-writer, an Aristotle in politics, N. 43

E

Nvy: The ill state of an envious man, N. 19.
His relief, ibid. The way to obtain his favour,
ibid.

Ephesian Matron, the story of her, N. 11.
Epictetus, his obfervation upon the female fex,
Ν. 53.

Epigram on Hecatissa, N. 52.

Epitaphs, the extravagance of fome, and modesty
of others, N. 26. An epitaph written by Ben
Johnson, 33.

Equipages, the splendour of them in France, N. 15.
A great temptation to the female fex, ibid.
Etheridge (Sir George) author of a comedy, called
She would if she could, reproved, N. 51.

Eubulus, his character, N. 49.
Eucrate, the favourite of Pharamond, N. 76.
Eudofia, her behaviour, N. 79.

F

FAble of the lion and the man. N. 11. Of the
children and frogs, 23. Of Jupiter and the

countryman, 25.
Falsehood, (the goddess of) N. 63.ban
False wit, the region of it, N. 25.
Falstaff, (Sir John) a famous butt, N. 47.
Fame, generally coveted, N. 73.
Fashion, the force of it, N. 64. put the ingest
Fear of death often mortal, N. 25.
Fine Gentlemen, a character frequently misapplied
C. by the Fair Sex, N. 75.

Flutter, (Sir Fopling) a comedy; fome remarks up-
en it, N. 65.

Fools,

Fools, great plenty of them the first day of April,

Freeport, (Sir Andrew) a member of the Spectator's
club, N. 2.
French poets, wherein to be imitated by the English,
Ν. 45.

Friendship, the great benefit of it, N. 68. The me
dicine of life, ibid. The qualifications of a good
friend, ibid.

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Alantry; wherein true galantry ought to con-
fift, N. 7.

Gaper; the sign of the gaper frequent in Amster-
dam, N. 47.

Ghosts warned out of the playhouse, N. 36. the
appearance of a ghost of great efficacy on an En-

-glish theatre, 44.
Gofpel-goffips described, N. 46.

Goths in poetry, who, N. 62.

Handkerchief, the great machine for moving
pity in a tragedy, N. 44.
Happiness, (true) an enemy to pomp and noise,
Ν. 15.

Hard words ought not to be pronounced right by
well-bred Ladies, N. 45.

Heroes in an English tragedy generally overs,
N. 40

Hobbs, (Mr.) his observation upon laughter, N. 47.
Honeycomb (Will) his character, N. 2. his discourse
with the Spectator in the playhouse, 4. his ad.
venture with a Pict, 41. Throws his watch into
the Thames, 77.

Human nature, the fame in all reasonable crea-
tures, N. 70.

Honour to be described only by negatives, N. 35.
the genealogy of true honour, ibid. and of false,
ibid.

Iambick

I

Ambick verse the most proper for Greek tragedies,
N. 39.

James, how polished by love, N.71M h
Idiots in great request in most of the German courts,
Ν. 47.

Idols, who of the Fair Sex fo called, N. 73.ที่เติ
Impudence gets the better of modesty, N. 2. An
impudence committed by the eyes, 20. The de-
finition of English, Scotch, and Irish impudence,
ibid.

Indian Kings, fome of their observations during
their stay here, N. 50.

Indifcretion, more beautiful than ill-nature, N. 23.
Injuries how to be measured, N. 23.
Inkle and Yarico, their story, N. 11.

Innocence and not quality, an exemption from re-
proof, 34. Johnson (Ben) an epitaph written by
him on a Lady, N. 33.

Italian writers, florid and wordy, N. 5.

K

K Imbow (Tho.) ftates his cafe in a letter to the
Spectator, N. 24.

Kiffing-dances cenfured, N. 67.

L

Ady's library defcribed, N. 37.

Latitia and Daphne, their story, N. 33-
Lampoons written by people that cannot fpell,
N. 16. witty lampoons inflict wounds that are
incurable, 23. the inhuman barbarity of the ordi-
mary fcribblers of lampoons, ibid.d
Larvati who so called among the ancients, N. 32.
Lath (squire) has a good estate which he would part
withal for a pair of legs to his mind, N. 32.
Laughter (immoderate) a sign of pride, N. 47.
the provocations to it, ibid.

Lawyers divided into the peaceable and litigious,
N. 21. both forts described, ibid.

King Lear, a tragedy, fuffers in the alteration,.
As N40dani

Lee, the poet, well turned for tragedy, N. 39.
Learning ought not to claim any merit to itself, but
upon the application of it, N. 6.
Leonora, her character, N. 37. The description of
her country-feat, ibid.

Letters to the Spectator: complaining of the maf-
querade, N. 8. from the opera-lion 14. from the
under faxton of Govent-Garden parish, ibid. from
the undertaker at the masquerade, ibid. from one
who had been to fee the opera of Rinaldo, and
the puppet-show, ibid. from Charles Lillie, 16.
from the prefident of the ugly club, 17. fromna
S. C. with a complaint against the starers, 20.
from Tho. Prone, who acted the wild boar that
was killed by Mrs. Tofts, 22. from William Screne
and Ralph Simple, ibid. from an actor, ibid. from
King Latinus, ibid. from Tho. Kimbow, 24. from
Will. Fashion to his would-be acquaintance, ibid.
from a Valetudinarian to the Spectator, 25. from
fome persons to the Spectator's clergyman, 27.
from one who would be inspector of the sign-
posts, 28. from the master of the show at Chair-
ing-Grofs, ibid. from a member of the amorous
club, at Oxford, 30. from a member of the ug-
ly club 32. from a Gentleman to such Ladies as
are professed beauties, 33. to the Spectator from
T. D. containing an intended regulation of the
playhouse, 36. from the play-house thunder,
ibid. from the Spectator to an affected very witty
man, 38. from a married man with a complaint
that his wife painted, 41. from Abraham Froth,
a member of the Hebdomadal meeting in Oxford,
43. from a husband plagued with a gospel-goflip
46. from an ogling-master, ibid. from the Spec-
tator, to the prefident and fellows of the Ugly-
club, 48. from Hecatifssa to the Spectator, ibid.
from an old beau, ibid. from Epping with fome

account

account of a company of strolers, ibid. from a
Lady complaining of a paffage in the Funeral,
51. from Hugh Goblin, prefident of the Ugly
Club, 52. from 2. R. concerning laughter, ibid.
the Spectator's answer, ibid. from R. B. to the
Spectator, with a proposal relating to the educa.
tion of lovers, 53. from Anna Bella, ibid. from
a fplenetick Gentleman, ibid. from a reformed
-starer, complaining of a peeper, ibid. from King
Latinus, ibid. from a Gentleman at Cambridge con-
taining an account of a new fect of philofophers
called Lowngers, 54, from Celimene, 66. from a
father complaining of the liberties taken in conn-
try-dances, ibid. from James to Betty, 71. to the
Spectator from the Ugly Club at Cambridge, 78.
from a whimsical young Lady, 79, from B. D.
defiring a catalogue of books for the female libra-
ry, ibid.

Letter-dropper of antiquity, who, N. 59.
Library, a Lady's described. N. 37.
Life, the duration of it uncertain, N. 27.
Lindamira, the only woman allowed to paint, N 41.
Lion in the Hay-market occafioned many conjec-
tures in the town, N. 13. very gentle to the
Spectator, ibid.

London, an Emporium for the whole earth, N. 69.
Love, the general concern of it, N. 30. ano
Love of the world, our hearts mifled by it, N. 27.
Luxury, what, N. 55. attended often with avarice,
ibid. a fable of those two vices, ibid.
Lowngers, a new sect of philosophers in Cambridge,
N. 54.

M

MAN a fociable animal, N. 9. The lofs of pu-
blick and private virtues owing to men of

parts, 6.

Masquerade, a complaint against it, N. 8. The
delign of it, ibid.

Mazarine,

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