Dryden, his definition of wit centured, N. 62. Dull fellows, who, N. 43. their inquiries are not for information but exercise, ibid. Naturally turn their heads to politics or poetry, ibid. Dutch more polite than the English in their build- ings, and monuments of their dead, N. 26. Dyer, the news-writer, an Aristotle in politics, N. 43
Nvy: The ill state of an envious man, N. 19. His relief, ibid. The way to obtain his favour, ibid.
Ephesian Matron, the story of her, N. 11. Epictetus, his obfervation upon the female fex, Ν. 53.
Epigram on Hecatissa, N. 52.
Epitaphs, the extravagance of fome, and modesty of others, N. 26. An epitaph written by Ben Johnson, 33.
Equipages, the splendour of them in France, N. 15. A great temptation to the female fex, ibid. Etheridge (Sir George) author of a comedy, called She would if she could, reproved, N. 51.
Eubulus, his character, N. 49. Eucrate, the favourite of Pharamond, N. 76. Eudofia, her behaviour, N. 79.
FAble of the lion and the man. N. 11. Of the children and frogs, 23. Of Jupiter and the
countryman, 25. Falsehood, (the goddess of) N. 63.ban False wit, the region of it, N. 25. Falstaff, (Sir John) a famous butt, N. 47. Fame, generally coveted, N. 73. Fashion, the force of it, N. 64. put the ingest Fear of death often mortal, N. 25. Fine Gentlemen, a character frequently misapplied C. by the Fair Sex, N. 75.
Flutter, (Sir Fopling) a comedy; fome remarks up- en it, N. 65.
Fools, great plenty of them the first day of April,
Freeport, (Sir Andrew) a member of the Spectator's club, N. 2. French poets, wherein to be imitated by the English, Ν. 45.
Friendship, the great benefit of it, N. 68. The me dicine of life, ibid. The qualifications of a good friend, ibid.
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Alantry; wherein true galantry ought to con- fift, N. 7.
Gaper; the sign of the gaper frequent in Amster- dam, N. 47.
Ghosts warned out of the playhouse, N. 36. the appearance of a ghost of great efficacy on an En-
-glish theatre, 44. Gofpel-goffips described, N. 46.
Goths in poetry, who, N. 62.
Handkerchief, the great machine for moving pity in a tragedy, N. 44. Happiness, (true) an enemy to pomp and noise, Ν. 15.
Hard words ought not to be pronounced right by well-bred Ladies, N. 45.
Heroes in an English tragedy generally overs, N. 40
Hobbs, (Mr.) his observation upon laughter, N. 47. Honeycomb (Will) his character, N. 2. his discourse with the Spectator in the playhouse, 4. his ad. venture with a Pict, 41. Throws his watch into the Thames, 77.
Human nature, the fame in all reasonable crea- tures, N. 70.
Honour to be described only by negatives, N. 35. the genealogy of true honour, ibid. and of false, ibid.
Ambick verse the most proper for Greek tragedies, N. 39.
James, how polished by love, N.71M h Idiots in great request in most of the German courts, Ν. 47.
Idols, who of the Fair Sex fo called, N. 73.ที่เติ Impudence gets the better of modesty, N. 2. An impudence committed by the eyes, 20. The de- finition of English, Scotch, and Irish impudence, ibid.
Indian Kings, fome of their observations during their stay here, N. 50.
Indifcretion, more beautiful than ill-nature, N. 23. Injuries how to be measured, N. 23. Inkle and Yarico, their story, N. 11.
Innocence and not quality, an exemption from re- proof, 34. Johnson (Ben) an epitaph written by him on a Lady, N. 33.
Italian writers, florid and wordy, N. 5.
K Imbow (Tho.) ftates his cafe in a letter to the Spectator, N. 24.
Kiffing-dances cenfured, N. 67.
Ady's library defcribed, N. 37.
Latitia and Daphne, their story, N. 33- Lampoons written by people that cannot fpell, N. 16. witty lampoons inflict wounds that are incurable, 23. the inhuman barbarity of the ordi- mary fcribblers of lampoons, ibid.d Larvati who so called among the ancients, N. 32. Lath (squire) has a good estate which he would part withal for a pair of legs to his mind, N. 32. Laughter (immoderate) a sign of pride, N. 47. the provocations to it, ibid.
Lawyers divided into the peaceable and litigious, N. 21. both forts described, ibid.
King Lear, a tragedy, fuffers in the alteration,. As N40dani
Lee, the poet, well turned for tragedy, N. 39. Learning ought not to claim any merit to itself, but upon the application of it, N. 6. Leonora, her character, N. 37. The description of her country-feat, ibid.
Letters to the Spectator: complaining of the maf- querade, N. 8. from the opera-lion 14. from the under faxton of Govent-Garden parish, ibid. from the undertaker at the masquerade, ibid. from one who had been to fee the opera of Rinaldo, and the puppet-show, ibid. from Charles Lillie, 16. from the prefident of the ugly club, 17. fromna S. C. with a complaint against the starers, 20. from Tho. Prone, who acted the wild boar that was killed by Mrs. Tofts, 22. from William Screne and Ralph Simple, ibid. from an actor, ibid. from King Latinus, ibid. from Tho. Kimbow, 24. from Will. Fashion to his would-be acquaintance, ibid. from a Valetudinarian to the Spectator, 25. from fome persons to the Spectator's clergyman, 27. from one who would be inspector of the sign- posts, 28. from the master of the show at Chair- ing-Grofs, ibid. from a member of the amorous club, at Oxford, 30. from a member of the ug- ly club 32. from a Gentleman to such Ladies as are professed beauties, 33. to the Spectator from T. D. containing an intended regulation of the playhouse, 36. from the play-house thunder, ibid. from the Spectator to an affected very witty man, 38. from a married man with a complaint that his wife painted, 41. from Abraham Froth, a member of the Hebdomadal meeting in Oxford, 43. from a husband plagued with a gospel-goflip 46. from an ogling-master, ibid. from the Spec- tator, to the prefident and fellows of the Ugly- club, 48. from Hecatifssa to the Spectator, ibid. from an old beau, ibid. from Epping with fome
account of a company of strolers, ibid. from a Lady complaining of a paffage in the Funeral, 51. from Hugh Goblin, prefident of the Ugly Club, 52. from 2. R. concerning laughter, ibid. the Spectator's answer, ibid. from R. B. to the Spectator, with a proposal relating to the educa. tion of lovers, 53. from Anna Bella, ibid. from a fplenetick Gentleman, ibid. from a reformed -starer, complaining of a peeper, ibid. from King Latinus, ibid. from a Gentleman at Cambridge con- taining an account of a new fect of philofophers called Lowngers, 54, from Celimene, 66. from a father complaining of the liberties taken in conn- try-dances, ibid. from James to Betty, 71. to the Spectator from the Ugly Club at Cambridge, 78. from a whimsical young Lady, 79, from B. D. defiring a catalogue of books for the female libra- ry, ibid.
Letter-dropper of antiquity, who, N. 59. Library, a Lady's described. N. 37. Life, the duration of it uncertain, N. 27. Lindamira, the only woman allowed to paint, N 41. Lion in the Hay-market occafioned many conjec- tures in the town, N. 13. very gentle to the Spectator, ibid.
London, an Emporium for the whole earth, N. 69. Love, the general concern of it, N. 30. ano Love of the world, our hearts mifled by it, N. 27. Luxury, what, N. 55. attended often with avarice, ibid. a fable of those two vices, ibid. Lowngers, a new sect of philosophers in Cambridge, N. 54.
MAN a fociable animal, N. 9. The lofs of pu- blick and private virtues owing to men of
Masquerade, a complaint against it, N. 8. The delign of it, ibid.
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