The Nineteenth Century and After, Volume 134Leonard Scott Publishing Company, 1943 |
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Pagina 72
... painting is still founded on impressionism , but no longer tied to the matching of natural values . For their purposes , painting before the model and out of doors , only the simplest technical equipment was practical . They reduced the ...
... painting is still founded on impressionism , but no longer tied to the matching of natural values . For their purposes , painting before the model and out of doors , only the simplest technical equipment was practical . They reduced the ...
Pagina 73
... painting , which reflected it back to the eye . The light passes in , and if the picture is held in a side or top light the luminous beams pass through the paint at a raking angle and illuminate it from the white and grey ground behind ...
... painting , which reflected it back to the eye . The light passes in , and if the picture is held in a side or top light the luminous beams pass through the paint at a raking angle and illuminate it from the white and grey ground behind ...
Pagina 75
... painting ( Tintoretto is an exception ) there is little brush stroke in the flesh . Modelling speaks through very softly from the under- painting , and the effect of rotundity is given by the artificial sharpening and sweetening of the ...
... painting ( Tintoretto is an exception ) there is little brush stroke in the flesh . Modelling speaks through very softly from the under- painting , and the effect of rotundity is given by the artificial sharpening and sweetening of the ...
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