What is Surrealism?: Selected Writings |
Vanuit het boek
Resultaten 1-3 van 68
Pagina 104
... common a ceaseless borrowing ( to the point of nausea ) of subjects ,
adventitious or not , from the vegetable world . They also share a property of
evoking , superficially but surely , certain productions of ancient Asian or
American art .
... common a ceaseless borrowing ( to the point of nausea ) of subjects ,
adventitious or not , from the vegetable world . They also share a property of
evoking , superficially but surely , certain productions of ancient Asian or
American art .
Pagina 186
The aim of this appeal is to find a common ground on which all revolutionary
writers and artists may be reunited , the better to serve the revolution by their art
and to defend the liberty of that art itself against the usurpers of the revolution .
The aim of this appeal is to find a common ground on which all revolutionary
writers and artists may be reunited , the better to serve the revolution by their art
and to defend the liberty of that art itself against the usurpers of the revolution .
Pagina 364
... poetic language meet . . . on common ground . The common element is the
search for an " authentic language " - the language of negation as the Great
Refusal to accept the rules of a game in which the dice are loaded ' ( Herbert
Marcuse ) .
... poetic language meet . . . on common ground . The common element is the
search for an " authentic language " - the language of negation as the Great
Refusal to accept the rules of a game in which the dice are loaded ' ( Herbert
Marcuse ) .
Wat mensen zeggen - Een review schrijven
We hebben geen reviews gevonden op de gebruikelijke plaatsen.
Inhoudsopgave
1920s | 1 |
Max Ernst 7 | 7 |
Francis Picabia 14 | 14 |
Copyright | |
33 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
activity already American André appeared artistic automatic beautiful become beginning believe Breton called cause certain common Communist complete comrades considered continue course critics Dada dream entirely everything exhibition existence expression eyes fact force France freedom French give given hand human idea important individual intellectual interest International issue known later least less letter light literature living Manifesto marxism means mind movement nature never object once organised original painter painting Paris pass period person poem poet poetic poetry political possible present principle problem published question reality reason recent regard remains revolutionary seems sense situation social society speak spirit surrealism surrealist texts things thought tion Trotsky true turn whole writing York