How We WorkMarla Morris, Mary Aswell Doll, William F. Pinar P. Lang, 1999 - 279 pagina's How We Work is a collection of essays by writers from across the disciplines on the ways they produce work. Each writer offers a description of the processes and quirks of putting thoughts into form. Some of the essays are humorous, confessing to the ways writers confront the terror of the blank page. Others are helpful, offering hints and analyses. All give personal reflection on how creating is both horizontal and vertical, involving the writer with places, sensual experiences, and other bodies, as well as with other parts of the self. Deliberately interdisciplinary and multicultural, this collection contains the work of curriculum theorists, fiction writers, poets, musicians, and professors of mathematics, English, philosophy, and women's studies. We hope to encourage readers to become more aware of their own creative potential by reading these essays. |
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Pagina 103
... light - and I stumble down the stairs of our home , passing the idoled ( pun intended ) coffee machine on my way . I have readied it the evening before , and I have only to weakly brush the switch as I make the first pass by it and wait ...
... light - and I stumble down the stairs of our home , passing the idoled ( pun intended ) coffee machine on my way . I have readied it the evening before , and I have only to weakly brush the switch as I make the first pass by it and wait ...
Pagina 160
... light of summer - and the memories of writing . I wonder what impulse gave rhythm to the writ- ing of the poem ? How had I remembered the experience ? What sen- sations was I trying to evoke ? In the rewriting , these questions be- come ...
... light of summer - and the memories of writing . I wonder what impulse gave rhythm to the writ- ing of the poem ? How had I remembered the experience ? What sen- sations was I trying to evoke ? In the rewriting , these questions be- come ...
Pagina 257
... light . " After Carmen leaves , you hope that all you're suffering from is performance anxiety , not a creative block . Telling yourself that toiling in the muck is fun , you summon up enough energy to take up the draft once more . You ...
... light . " After Carmen leaves , you hope that all you're suffering from is performance anxiety , not a creative block . Telling yourself that toiling in the muck is fun , you summon up enough energy to take up the draft once more . You ...
Inhoudsopgave
The Web and the Work | 1 |
Curriculum as Musical Text | 11 |
The Fire Sermon | 19 |
Copyright | |
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academic African-American American artist asked become begin bell hooks body Boyd Henry Bode cenote Chapter child Coyolxauhqui create creative process cultural curriculum theory dance Dewey's dissertation draft dream essay experience feel fiction Grateful Dead gumby hear idea images imagine intellectual Italian-American James John Dewey journal learning Lewis Turco listen living look Margaret Laurence Marla Mary mathematics means memory metaphor Michelangelo mind morning move narrative nepantla never night novel paper person piece Pinar play poem poet poetry practices readers realize relationship remember rewriting rhythm Rolling Stones room of one's Rorty Samuel Beckett seems sense social song sound story struggle Sumara T. S. Eliot teachers teaching tell things thought tion Toni Morrison tree trying Ulalume voice walk William William F words writing group written wrote York