The Master and Margarita
Grove/Atlantic, Inc., 18 mrt. 2016 - 402 pagina's
I first read Mikhail Bulgakov's The Master and Margarita on a balcony of the Hotel Metropole in Saigon on three summer evenings in 1971. The tropical air was heavy and full of the smells of cordite and motorcycle exhaust and rotting fish and wood-fire stoves, and the horizon flared ambiguously, perhaps from heat lightning, perhaps from bombs. Later each night, as was my custom, I would wander out into the steamy back alleys of the city, where no one ever seemed to sleep, and crouch in doorways with the people and listen to the stories of their culture and their ancestors and their ongoing lives. Bulgakov taught me to hear something in those stories that I had not yet clearly heard. One could call it, in terms that would soon thereafter gain wide currency, "magical realism". The deadpan mix of the fantastic and the realistic was at the heart of the Vietnamese mythos. It is at the heart of the present zeitgeist. And it was not invented by Gabriel Garcia Marquez, as wonderful as his One Hundred Years of Solitude is. Garcia Marquez's landmark work of magical realism was predated by nearly three decades by Bulgakov's brilliant masterpiece of a novel. That summer in Saigon a vodka-swilling, talking black cat, a coven of beautiful naked witches, Pontius Pilate, and a whole cast of benighted writers of Stalinist Moscow and Satan himself all took up permanent residence in my creative unconscious. Their presence, perhaps more than anything else from the realm of literature, has helped shape the work I am most proud of. I'm often asked for a list of favorite authors. Here is my advice. Read Bulgakov. Look around you at the new century. He will show you things you need to see.
Wat mensen zeggen - Een review schrijven
We hebben geen reviews gevonden op de gebruikelijke plaatsen.
Overige edities - Alles weergeven
Annushka answered apartment Number 50 Aphranius Arbat Square Arkady Apollonovich asked astonishment Azazello balcony bartender began Behemoth Berlioz briefcase Bulgakov chair chervonets citizen cried dark devil disappeared door everything exclaimed eyes face Fagot financial manager flashed flew floor foreigner garden glanced glass Good≠by Griboyedov guest hand Ha≠Nozri head heard Hegemon Homeless Ivan Nikolayevich Ivan’s Kerioth Koroviev light Likhodeyev listening looked man’s Margarita Nikolayevna Master Master and Margarita Matthu Levi Messire Mikhail Alexandrovich militia moon Moscow Moscow Art Theater Moskva River Natasha never night Nikanor Ivanovich Nikolay Ivanovich opened poet Pontius Pilate Poplavsky prisoner Procurator Procurator’s professor Prokhor Pushkino replied Rimsky Rimsky’s rose Ryukhin Sadovaya shouted silent sitting smile someone spoke stared strange Stravinsky streetcar Styopa suddenly telephone tell thing thought turned vanished Varenukha Variety Theater visitor voice walked whispered window Woland woman words Yalta Yehudah Yershalayim Yeshua