Dada, Art and Anti-art |
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Pagina 221
In 1919 , Richter and Eggeling moved to an estate owned by Richter ' s parents at
Klein - Kölzig , near Berlin , and worked together in close cooperation for three
years . Their purpose was to make the picture a rhythmical development of ...
In 1919 , Richter and Eggeling moved to an estate owned by Richter ' s parents at
Klein - Kölzig , near Berlin , and worked together in close cooperation for three
years . Their purpose was to make the picture a rhythmical development of ...
Pagina 225
Van Rees , Arp , Janco , Tscharner , Mme van Rees , Lüthy , Richter , Hilbig ,
Negro art , brilliant success : the new art . Tzara delivers 3 lectures : 1 . cubism , 2
. the old and the new art , 3 . the art of the present . Large poster by Richter ,
poster ...
Van Rees , Arp , Janco , Tscharner , Mme van Rees , Lüthy , Richter , Hilbig ,
Negro art , brilliant success : the new art . Tzara delivers 3 lectures : 1 . cubism , 2
. the old and the new art , 3 . the art of the present . Large poster by Richter ,
poster ...
Pagina 236
Hans Richter. L ' athlète des pompes funèbres . Lausanne , 1918 . Rateliers
platoniques . Lausanne , 1918 . Pensées sans langage ; Poème . Paris , 1919 .
Jésus Christ rastaquouère . Paris , 1920 . Unique eunuque . Paris , 1920 .
Hans Richter. L ' athlète des pompes funèbres . Lausanne , 1918 . Rateliers
platoniques . Lausanne , 1918 . Pensées sans langage ; Poème . Paris , 1919 .
Jésus Christ rastaquouère . Paris , 1920 . Unique eunuque . Paris , 1920 .
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Inhoudsopgave
REPL | 7 |
The Café Odéon | 67 |
New York Dada 19151920 | 81 |
Copyright | |
12 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract activities already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret Voltaire called chance close collages colours critic Dada Dadaist developed direction drawing Duchamp elements everything exhibition experience expression fact finally followed France Franz Jung freedom friends gallery gave George German Grosz hand Hausmann head Huelsenbeck human ideas individual Italy Janco language later less lived looked manifesto Marcel Max Ernst meaning mind move movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art possible present produced published remained Richter Schwitters seemed showed side sound taken things took Tristan Tzara true turned Tzara wanted whole writes York Zurich